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The Woman and the Wife

I--THE EXPLANATION

"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.

"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,

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The Wizard in the Street

[Concerning Edgar Allan Poe]


Who now will praise the Wizard in the street
With loyal songs, with humors grave and sweet —
This Jingle-man, of strolling players born,
Whom holy folk have hurried by in scorn,
This threadbare jester, neither wise nor good,
With melancholy bells upon his hood?

The hurrying great ones scorn his Raven's croak,
And well may mock his mystifying cloak
Inscribed with runes from tongues he has not read
To make the ignoramus turn his head.
The artificial glitter of his eyes

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The Winter Lakes

Out in a world of death far to the northward lying,
Under the sun and the moon, under the dusk and the day;
Under the glimmer of stars and the purple of sunsets dying,
Wan and waste and white, stretch the great lakes away.

Never a bud of spring, never a laugh of summer,
Never a dream of love, never a song of bird;
But only the silence and white, the shores that grow chiller and dumber,
Wherever the ice winds sob, and the griefs of winter are heard.

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The Wine-Cup is Circling

The wine-cup is circling in Almhin's hall,
And its Chief, 'mid his heroes reclining,
Looks up, with a sigh to the trophied wall,
Where his sword hangs idly shining.
When, hark, that shout
From the vale without --
"Arm ye quick, the Dane, the Dane is nigh!"
Every Chief starts up
From his foaming cup,
And "To battle, to battle!" is the Finian's cry.

The minstrels have seized their harps of gold,
And they sing such thrilling numbers --
'Tis like the voice of the Brave, of old,
Breaking forth from their place of slumber!

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The Window

She looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world

she leans out of the window
and this is what she sees
a wet rose singing to the sun
with a chorus of red bees

she leans out of the window
and laughs for the window is high
she is in it like a bird on a perch
and they scoop the blue sky

she and the window scooping
the morning as if it were air
scooping a green wave of leaves
above a stone stair

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The Wild Iris

At the end of my suffering
there was a door.

Hear me out: that which you call death
I remember.

Overhead, noises, branches of the pine shifting.
Then nothing. The weak sun
flickered over the dry surface.

It is terrible to survive
as consciousness
buried in the dark earth.

Then it was over: that which you fear, being
a soul and unable
to speak, ending abruptly, the stiff earth
bending a little. And what I took to be
birds darting in low shrubs.

You who do not remember
passage from the other world

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The Widow's Home

Close on the margin of a brawling brook
That bathes the low dell's bosom, stands a Cot;
O'ershadow'd by broad Alders. At its door
A rude seat, with an ozier canopy
Invites the weary traveller to rest.
'Tis a poor humble dwelling; yet within,
The sweets of joy domestic, oft have made
The long hour not unchearly, while the Moor
Was covered with deep snow, and the bleak blast
Swept with impetuous wing the mountain's brow!
On ev'ry tree of the near shelt'ring wood
The minstrelsy of Nature, shrill and wild,

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The Whole Soul

Is it long as a noodle
or fat as an egg? Is it
lumpy like a potato or
ringed like an oak or an
onion and like the onion
the same as you go toward
the core? That would be
suitable, for is it not
the human core and the rest
meant either to keep it
warm or cold depending
on the season or just who
you're talking to, the rest
a means of getting it from
one place to another, for it
must go on two legs down
the stairs and out the front
door, it must greet the sun
with a sigh of pleasure as

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The Whitest Man I Know

HE’S acruisin’ in a pearler with a dirty nigger crew,
Abuyin’ pearls and copra for a stingy Spanish Jew,
And his face is tann’d like leather ’neath a blazin’ tropic Sun,
And he’s workin’ out a penance for the things he hasn’t done.
Round the Solomons he runs, tradin’ beads and castoff guns,
Buyin’ pearls from grinnin’ niggers, loadin copra by the ton;
And he’ll bargain and he’ll smile, but he’s thinkin’ all the while
Of the penance that he’s workin’ out for sins he hasn’t done.

We’d been round the Horn together, and I’d come to know his worth;

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The White Man's Foot

In his lodge beside a river,
Close beside a frozen river,
Sat an old man, sad and lonely.
White his hair was as a snow-drift;
Dull and low his fire was burning,
And the old man shook and trembled,
Folded in his Waubewyon,
In his tattered white-skin-wrapper,
Hearing nothing but the tempest
As it roared along the forest,
Seeing nothing but the snow-storm,
As it whirled and hissed and drifted.
All the coals were white with ashes,
And the fire was slowly dying,
As a young man, walking lightly,
At the open doorway entered.

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