sorrow

Undoubtedly he will relent, and turn
From his displeasure; in whose look serene,
When angry most he seemed and most severe,
What else but favour, grace, and mercy, shone?
So spake our father penitent; nor Eve
Felt less remorse: they, forthwith to the place
Repairing where he judged them, prostrate fell
Before him reverent; and both confessed
Humbly their faults, and pardon begged; with tears
Watering the ground, and with their sighs the air
Frequenting, sent from hearts contrite, in sign

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

Si credere dignum est.--Virgil, Georgics, III, 390


Oh, worthy of belief I hold it was,
Virgil, your legend in those strange three lines!
No question, that adventure came to pass
One black night in Arcadia: yes, the pines,
Mountains and valleys mingling made one mass
Of black with void black heaven: the earth's confines,
The sky's embrace,--below, above, around,
All hardened into black without a bound.

Fill up a swart stone chalice to the brim

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


Spirit of the days of yore!
Thou! who, in thy haunted cave,
By the torrent's sounding shore,
Mark'st the autumnal tempest rave:
Or, where on some ivied wall
Twilight-mingled moonbeams fall,
Deep in aisles and cloisters dim,
Hear'st the grey monks' verpser hymn:
Or, beneath the cypress shade,
Where forgotten chiefs are laid,
Pacing slow with solemn tread,
Breathest the verse that wakes the dead---

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


I

As the mountain-torrent rages,
Loud, impetuous, swift, and strong,
So the rapid streams of ages
Rolls with ceaseless tide along.
Man's little day what clouds o'ercast!
How soon his longest day is past!
All-conquering DEATH, in solemn date unfurl'd,
Comes, like the burning desert blast,
And sweeps him from the world.
The noblest works of human pow'r
In vain resist the fate-fraught hour;

I see, as one in dreaming,
   A broad, bright, quiet sea;
Beyond it lies a haven --
   The only home for me.
Some men grow strong with trouble,
   But all my strength is past,
And tired and full of sorrow,
   I long to sleep at last.
By force of chance and changes
   Man's life is hard at best;
And, seeing rest is voiceless,
   The dearest thing is rest.

Beyond the sea -- behold it,
   The home I wish to seek,
The refuge of the weary,
   The solace of the weak!

It came from the prison this morning,
Close-twisted, neat-lettered, and flat;
It lies the hall doorway adorning,
A very good style of a mat.

Prison-made! how the spirit is moven
As we think of its story of dread --
What wiles of the wicked are woven
And spun in its intricate thread!

The letters are new, neat and nobby,
Suggesting a masterly hand --
Was it Sikes, who half-murdered the bobby,
That put the neat D on the "and"?

Some banker found guilty of laches --

My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think

praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,

it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.

I.
FRIENDS of faces unknown and a land
Unvisited over the sea,
Who tell me how lonely you stand
With a single gold curl in the hand
Held up to be looked at by me, --


II.
While you ask me to ponder and say
What a father and mother can do,
With the bright fellow-locks put away
Out of reach, beyond kiss, in the clay
Where the violets press nearer than you.


III.
Shall I speak like a poet, or run
Into weak woman's tears for relief ?