The ghost of night's long hours depart
In congregation dreary,
And leave my sorrow-trampled heart
Intolerably weary.

But Chirpings bright in dewy woods
Foretell divine tomorrows,
And little birds are very good
To dissipate great sorrows.

Seest thou younder craggy Rock,
Whose Head o'er-looks the swelling Main,
Where never Shepherd fed his Flock,
Or careful Peasant sow'd his Grain.
No wholesome Herb grows on the same,
Or Bird of Day will on it rest;
'Tis Barren as the Hopeless Flame,
That scortches my tormented Breast.

Deep underneath a Cave does lie,
Th' entrance hid with dismal Yew,
Where Phebus never shew'd his Eye,
Or cheerful Day yet pierced through.

In that dark Melancholy Cell,
(Retreate and Sollace to my Woe)

The slender young woman who is there would be the premier creation by the
Creator in the sphere of women, with fine teeth, lips like a ripe bimba fruit, a
slim waist, eyes like a startled gazelle’s, a deep navel, a gait slow on account
of the weight of her hips, and who is somewhat bowed down by her breasts.

You should know that she whose words are few, my second life, is like a
solitary female cakravaka duck when I, her mate, am far away. While these
weary days are passing, I think the girl whose longing is deep has taken on an

Where the palaces are worthy of comparison to you in these various aspects:
you possess lightning, they have lovely women; you have a rainbow, they are
furnished with pictures; they have music provided by resounding drums, you
produce deep, gentle rumbling; you have water within, they have floors made
of gemstones; you are lofty, their rooftops touch the sky;

Where there are decorative lotuses in the hands of the young wives; fresh
jasmine woven into their hair; where the beauty of their faces is made whiter

'What do you make so fair and bright?'

'I make the cloak of Sorrow:
O lovely to see in all men's sight
Shall be the cloak of Sorrow,
In all men's sight.'

'What do you build with sails for flight?'

'I build a boat for Sorrow:
O swift on the seas all day and night
Saileth the rover Sorrow,
All day and night.'

What do you weave with wool so white?'

'I weave the shoes of Sorrow:
Soundless shall be the footfall light
In all men's ears of Sorrow,
Sudden and light.'

Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments. Now I could breathe.

I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.

In the dark and damp of the alley cold,
Lay the Christmas tree that hadn't been sold;
By a shopman dourly thrown outside;
With the ruck and rubble of Christmas-tide;
Trodden deep in the muck and mire,
Unworthy even to feed a fire...
So I stopped and salvaged that tarnished tree,
And thus is the story it told to me:

"My Mother was Queen of the forest glade,
And proudly I prospered in her shade;
For she said to me: 'When I am dead,
You will be monarch in my stead,
And reign, as I, for a hundred years,

A Song in Chinese Tapestries


"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"

"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."

For those that never know the light,
The darkness is a sullen thing;
And they, the Children of the Night,
Seem lost in Fortune's winnowing.

But some are strong and some are weak, --
And there's the story. House and home
Are shut from countless hearts that seek
World-refuge that will never come.

And if there be no other life,
And if there be no other chance
To weigh their sorrow and their strife
Than in the scales of circumstance,

'T were better, ere the sun go down
Upon the first day we embark,

FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--

Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.

Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.

"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.