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To Erinna

Was Time not harsh to you, or was he kind,
O pale Erinna of the perfect lyre,
That he has left no word of singing fire
Whereby you waked the dreaming Lesbian wind,
And kindled night along the lyric shore?
O girl whose lips Erato stooped to kiss,
Do you go sorrowing because of this
In fields where poets sing forevermore?
Or are you glad and is it best to be
A silent music men have never heard,
A dream in all our souls that we may say:
"Her voice had all the rapture of the sea,
And all the clear cool quiver of a bird

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To emma abbott

There--let thy hands be folded
Awhile in sleep's repose;
The patient hands that wearied not,
But earnestly and nobly wrought
In charity and faith;
And let thy dear eyes close--
The eyes that looked alway to God,
Nor quailed beneath the chastening rod
Of sorrow;
Fold thou thy hands and eyes
For just a little while,
And with a smile
Dream of the morrow.

And, O white voiceless flower,
The dream which thou shalt dream
Should be a glimpse of heavenly things,

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To Delia On Her Endeavouring To Conceal Her Grief At Parting

Ah! wherefore should my weeping maid suppress
Those gentle signs of undissembled woe?
When from soft love proceeds the deep distress,
Ah, why forbid the willing tears to flow?

Since for my sake each dear translucent drop
Breaks forth, best witness of thy truth sincere,
My lips should drink the precious mixture up,
And, ere it falls, receive the trembling tear.

Trust me, these symptoms of thy faithful heart,
In absence shall my dearest hope sustain;
Delia! since such thy sorrow that we part,
Such when we meet thy joy shall be again.

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To Charlotte

'midst the noise of merriment and glee,

'Midst full many a sorrow, many a care,
Charlotte, I remember, we remember thee,

How, at evening's hour so fair,
Thou a kindly hand didst reach us,

When thou, in some happy place

Where more fair is Nature s face,

Many a lightly-hidden trace
Of a spirit loved didst teach us.

Well 'tis that thy worth I rightly knew,--

That I, in the hour when first we met,

While the first impression fill'd me yet,
Call'd thee then a girl both good and true.

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To Cesario

CESARIO, thy Lyre's dulcet measure,
So sweetly, so tenderly flows;
That could my sad soul taste of pleasure,
Thy music would soften its woes.

But ah, gentle soother, where anguish
Takes root in the grief-stricken heart;
'Tis the triumph of sorrow to languish,
'Tis rapture to cherish the smart.

The mind where pale Mis'ry sits brooding,
Repels the soft touch of repose;
Shrinks back when blest Reason intruding,
The balm of mild comfort bestows.

There is luxury oft in declining,
What pity's kind motives impart;

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To Certain Critics

Then call me traitor if you must,
Shout reason and default!
Say I betray a sacred trust
Aching beyond this vault.
I'll bear your censure as your praise,
For never shall the clan
Confine my singing to its ways
Beyond the ways of man.

No racial option narrows grief,
Pain is not patriot,
And sorrow plaits her dismal leaf
For all as lief as not.
With blind sheep groping every hill,
Searching an oriflamme,
How shall the shpherd heart then thrill
To only the darker lamb?

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To Caroline

Think'st thou I saw thy beauteous eyes,
Suffus'd in tears, implore to stay;
And heard unmov'd thy plenteous sighs,
Which said far more than words can say?

Though keen the grief thy tears exprest,
When love and hope lay both o'erthrown;
Yet still, my girl, this bleeding breast
Throbb'd, with deep sorrow, as thine own.

But, when our cheeks with anguish glow'd,
When thy sweet lips were join'd to mine;
The tears that from my eyelids flow'd
Were lost in those which fell from thine.

Thou could'st not feel my burning cheek,

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To Anna

This faded lip may oft to thee
As gay a smile, my Anna, wear,
As when in youth, from sorrow free,
I only shed the transient tear.

And oft chill Autumn's varying day,
Resembles April's genial hours;
And glitters with the noontide ray,
Though oftener dark with clouds and showers.

And, when I join the social throng,
This heart as warmly seems to glow
As when my pensive early song
Was only tuned to fancied woe.

And oft we see gay ivy's wreath
The tree with brilliant bloom o'erspread,

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To an Aeolian Harp

The winds have grown articulate in thee,
And voiced again the wail of ancient woe
That smote upon the winds of long ago:
The cries of Trojan women as they flee,
The quivering moan of pale Andromache,
Now lifted loud with pain and now brought low.
It is the soul of sorrow that we know,
As in a shell the soul of all the sea.
So sometimes in the compass of a song,
Unknown to him who sings, thro' lips that live,
The voiceless dead of long-forgotten lands
Proclaim to us their heaviness and wrong

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To a Young Child

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.

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