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Sonnet 71 No longer mourn for me when I am dead

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vilest worms to dwell.
Nay if you read this line, remember not
The hand that writ it, for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O, if, I say, you look upon this verse,
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay,

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Sonnet 70 That thou art blamed shall not be thy defect

That thou art blamed shall not be thy defect,
For slander's mark was ever yet the fair;
The ornament of beauty is suspect,
A crow that flies in heaven's sweetest air.
So thou be good, slander doth but approve
Thy worth the greater being wooed of time,
For canker vice the sweetest buds doth love,
And thou present'st a pure unstainèd prime.
Thou hast passed by the ambush of young days,
Either not assailed, or victor being charged;
Yet this thy praise cannot be so thy praise,
To tie up envy, evermore enlarged.

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Sonnet 7 Lo, in the orient when the gracious light

Lo, in the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climbed the steep-up heavenly hill,
Resembling strong youth in his middle age,
Yet mortal looks adore his beauty still,
Attending on his golden pilgrimage;
But when from highmost pitch, with weary car,
Like feeble age, he reeleth from the day,
The eyes, 'fore duteous, now converted are
From his low tract and look another way.
So thou, thyself outgoing in thy noon,

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Sonnet 69 Those parts of thee that the world's eye doth view

Those parts of thee that the world's eye doth view
Want nothing that the thought of hearts can mend;
All tongues, the voice of souls, give thee that due,
Utt'ring bare truth, even so as foes commend.
Thy outward thus with outward praise is crowned,
But those same tongues that give thee so thine own
In other accents do this praise confound
By seeing farther than the eye hath shown.
They look into the beauty of thy mind,
And that, in guess, they measure by thy deeds;
Then churls their thoughts, although their eyes were kind,

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Sonnet 67 Ah, wherefore with infection should he live

Ah, wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace it self with his society?
Why should false painting imitate his cheek,
And steal dead seeming of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggared of blood to blush through lively veins,
For she hath no exchequer now but his,
And proud of many, lives upon his gains?

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Sonnet 66 Tired with all these, for restful death I cry

Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimmed in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disablèd
And art made tongue-tied by authority,
And folly doctor-like controlling skill,
And simple truth miscalled simplicity,
And captive good attending captain ill.
Tired with all these, from these would I be gone,

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Sonnet 65 Since brass, nor stone, nor earth, nor boundless sea

Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o'ersways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer's honey breath hold out
Against the wrackful siege of batt'ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong but Time decays?
O, fearful meditation! Where, alack,
Shall Time's best jewel from Time's chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?

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Sonnet 64 When I have seen by Time's fell hand defaced

When I have seen by Time's fell hand defaced
The rich-proud cost of outworn buried age;
When sometime lofty towers I see down-razed
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state it self confounded to decay,
Ruin hath taught me thus to ruminate
That Time will come and take my love away.

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Sonnet 63 Against my love shall be, as I am now

Against my love shall be, as I am now,
With Time's injurious hand crushed and o'erworn;
When hours have drained his blood and filled his brow
With lines and wrinkles; when his youthful morn
Hath travelled on to age's steepy night,
And all those beauties whereof now he's king
Are vanishing, or vanished out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life.

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Sonnet 62 Sin of self-love possesseth all mine eye

Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account;
And for my self mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed
Beated and chapped with tanned antiquity,
Mine own self-love quite contrary I read;
Self so self-loving were iniquity.
'Tis thee, myself, that for my self I praise,

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