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Sonnet XVIII With What Sharp Checks

With what sharp checks I in myself am shent,
When into Reason's audit I do go:
And by just counts myself a bankrupt know
Of all the goods, which heav'n to me hath lent:

Unable quite to pay even Nature's rent,
Which unto it by birthright I do owe:
And, which is worse, no good excuse can show,
But that my wealth I have most idly spend.

My youth doth waste, my knowledge brings forth toys,
My wit doth strive those passions to defend,
Which for reward spoil it with vain annoys.

I see my course to lose myself doth bend:

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Sonnet XVIII Why Art Thou Chang'd

Why art thou chang'd? O Phaon! tell me why?
Love flies reproach, when passion feels decay;
Or, I would paint the raptures of that day,
When, in sweet converse, mingling sigh with sigh,
I mark'd the graceful languor of thine eye
As on a shady bank entranc'd we lay:
O! Eyes! whose beamy radiance stole away
As stars fade trembling from the burning sky!
Why art thou chang'd? dear source of all my woes!
Though dark my bosom's tint, through ev'ry vein
A ruby tide of purest lustre flows,
Warm'd by thy love, or chill'd by thy disdain;

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Sonnet XVIII To This Our World

To the Celestial Numbers

To this our world, to Learning, and to Heav'n,
Three Nines there are, to every one a Nine,
One number of the Earth, the other both divine;
One woman now makes three odd numbers ev'n.
Nine Orders first of Angels be in Heav'n,
Nine Muses do with Learning still frequent:
These with the Gods are ever resident;
Nine Worthy Women to the world were giv'n.
My Worthy One to these Nine Worthies addeth,
And my fair Muse one Muse unto the Nine,
And my good Angel, in my soul divine,

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Sonnet XVIII Since the First Look

Since the first look that led me to this error,
To this thought's-maze, to my confusion tending,
Still have I liv'd in grief, in hope, in terror,
The circle of my sorrows never ending.
Yet cannot leave her love that holds me hateful;
Her eyes exact it, though her heart disdains me;
See what reward he hath that serves th'ungrateful;
So true and loyal love no favors gains me.
Still must I whet my young desires abated,
Upon the flint of such a heart rebelling;
And all in vain, her pride is so innated,

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Sonnet XVIII Shall I compare thee to a summer's day

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:

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Sonnet XVIII On the Late Massacre in Piemont

Avenge, O Lord, thy slaughter'd saints, whose bones
Lie scatter'd on the Alpine mountains cold,
Ev'n them who kept thy truth so pure of old,
When all our fathers worshipp'd stocks and stones;
Forget not: in thy book record their groans
Who were thy sheep and in their ancient fold
Slain by the bloody Piemontese that roll'd
Mother with infant down the rocks. Their moans
The vales redoubl'd to the hills, and they
To Heav'n. Their martyr'd blood and ashes sow

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Sonnet XVIII I Never Gave a Lock of Hair

I never gave a lock of hair away
To a man, dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
Take it. My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,--

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Sonnet XVII Why Should I Sing in Verse

Why should I sing in verse, why should I frame
These sad neglected notes for her dear sake?
Why should I offer up onto her name
The sweetest sacrifice my youth can make?
Why should I strive to make her live for ever,
That never deigns to give me joy to live?
Why should m'afflicted Muse so much endeavor,
Such honor unto cruelty to give?
If her defects have purchas'd her this fame,
What should her virtues do, her smiles, her love?
If this her worst, how should her best enflame?
What passions would her milder favors move?

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Sonnet XVII Stay, Speedy Time

To Time

Stay, speedy Time, behold, before thou pass,
From age to age what thou hast sought to see,
One in whom all the excellencies be,
In whom Heav'n looks itself as in a glass.
Time, look thyself in this tralucent glass,
And thy youth past in this pure mirror see,
As the world's beauty in his infancy,
What is was then, and thou before it was.
Pass on, and to posterity tell this,
Yet see thou tell but truly what hath been;
Say to our nephews that thou once hast seen
In perfect human shape all heav'nly bliss,

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Sonnet XVII My Poet, Thou Canst Touch

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?
A shade, in which to sing--of palm or pine?

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