Farrar, when o’er Goodwin’s page
Late I found thee poring,
From the hydrostatic Sage
Leaky Memory storing,
Or when groaning yesterday
Needlessly distracted
By some bright erratic ray,
Through a sphere refracted,—

Then the quick words, oft suppressed,
In my fauces fluttered;
Thoughts not yet in language drest
Pleasing to be uttered.
He that neatly gilds the pill
Hides the drug but vainly,
So, in chance-sown words, I will
Speak the matter plainly.

Men there are, whose patient minds,
In one object centred,

(The daughter of Sappho)

When the dusk was wet with dew,
Cleïs, did the muses nine
Listen in a silent line
While your mother sang to you?

Did they weep or did they smile
When she crooned to still your cries,
She, a muse in human guise
Who forsook her lyre awhile

Did you hear her wild heart beat?
Did the warmth of all the sun
Through your little body run
When she kissed your hands and feet?

Did your fingers, babywise,
Touch her face and touch her hair
Did you think your mother fair,

Cinna, the great Venusian told
In songs that will not die
How in Augustan days of old
Your love did glorify
His life and all his being seemed
Thrilled by that rare incense
Till, grudging him the dreams he dreamed,
The gods did call you hence.

Cinna, I've looked into your eyes,
And held your hands in mine,
And seen your cheeks in sweet surprise
Blush red as Massic wine;
Now let the songs in Cinna's praise
Be chanted once again,
For, oh! alone I walk the ways
We walked together then!

Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:

My brother, my Valerius, dearest head
Of all whose crowning bay-leaves crown their mother
Rome, in the notes first heard of thine I read
My brother.

No dust that death or time can strew may smother
Love and the sense of kinship inly bred
From loves and hates at one with one another.

To thee was Caesar's self nor dear nor dread,
Song and the sea were sweeter each than other:
How should I living fear to call thee dead
My brother?

O Autumn, laden with fruit, and stainèd
With the blood of the grape, pass not, but sit
Beneath my shady roof; there thou may'st rest,
And tune thy jolly voice to my fresh pipe,
And all the daughters of the year shall dance!
Sing now the lusty song of fruits and flowers.
`The narrow bud opens her beauties to
The sun, and love runs in her thrilling veins;
Blossoms hang round the brows of Morning, and
Flourish down the bright cheek of modest Eve,
Till clust'ring Summer breaks forth into singing,
And feather'd clouds strew flowers round her head.

This faded lip may oft to thee
As gay a smile, my Anna, wear,
As when in youth, from sorrow free,
I only shed the transient tear.

And oft chill Autumn's varying day,
Resembles April's genial hours;
And glitters with the noontide ray,
Though oftener dark with clouds and showers.

And, when I join the social throng,
This heart as warmly seems to glow
As when my pensive early song
Was only tuned to fancied woe.

And oft we see gay ivy's wreath
The tree with brilliant bloom o'erspread,

The winds have grown articulate in thee,
And voiced again the wail of ancient woe
That smote upon the winds of long ago:
The cries of Trojan women as they flee,
The quivering moan of pale Andromache,
Now lifted loud with pain and now brought low.
It is the soul of sorrow that we know,
As in a shell the soul of all the sea.
So sometimes in the compass of a song,
Unknown to him who sings, thro' lips that live,
The voiceless dead of long-forgotten lands
Proclaim to us their heaviness and wrong

"Oh bard," I said, "your verse is free;
The shackles that encumber me,
The fetters that are my obsession,
Are never gyves to your expression.

"The fear of falsities in rhyme,
In metre, quantity, or time,
Is never yours; you sing along
Your unpremeditated song."

"Correct," the young vers librist said.
"Whatever pops into my head
I write, and have but one small fetter:
I start each line with a capital letter.

"But rhyme and metre--Ishkebibble!--
Are actually negligible.
I go ahead, like all my school,

'Tis years, soubrette, since last we met;
And yet--ah, yet, how swift and tender
My thoughts go back in time's dull track
To you, sweet pink of female gender!
I shall not say--though others may--
That time all human joy enhances;
But the same old thrill comes to me still
With memories of your songs and dances.

Soubrettish ways these latter days
Invite my praise, but never get it;
I still am true to yours and you--
My record's made, I'll not upset it!
The pranks they play, the things they say--