When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
And folk begin to tak the gate;
While we sit bousin, at the nappy,
And gettin fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest Tam o' Shanter,
As he frae Ayr ae night did canter:

A Tale
"Of Brownyis and of Bogillis full is this Buke."
Gawin Douglas.

When chapman billies leave the street,
And drouthy neibors neibors meet;
As market days are wearing late,
And folk begin to tak the gate,
While we sit bousing at the nappy,
An' getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and stiles,
That lie between us and our hame,
Where sits our sulky, sullen dame,
Gathering her brows like gathering storm,

Take, oh take those lips away,
That so sweetly were forsworn,
And those eyes, the break of day,
Lights that do mislead the morn:
But my kisses bring again,
Seals of love, but sealed in vain.

Hide, oh hide those hills of snow,
Which thy frozen bosom bears,
On whose tops the pinks that grow
Are yet of those that April wears.
But first set my poor heart free,
Bound in those icy chains by thee.

(After Lorca)

Now in Vienna there are ten pretty women.
There's a shoulder where death comes to cry.
There's a lobby with nine hundred windows.
There's a tree where the doves go to die.
There's a piece that was torn from the morning,
and it hangs in the Gallery of Frost—
Ay, ay ay ay
Take this waltz, take this waltz,
take this waltz with the clamp on its jaws.

I want you, I want you, I want you
on a chair with a dead magazine.
In the cave at the tip of the lily,
in some hallway where love's never been.

There is a meadow in Sweden
where I lie smitten,
eyes stained with clouds'
white ins and outs.

And about that meadow
roams my widow
plaiting a clover
wreath for her lover.

I took her in marriage
in a granite parish.
The snow lent her whiteness,
a pine was a witness.

She'd swim in the oval
lake whose opal
mirror, framed by bracken,
felt happy broken.

And at night the stubborn
sun of her auburn
hair shone from my pillow
at post and pillar.

Now in the distance

Prelude

Blue storm-clouds in hot heavens of mid-July
Hung heavy, brooding over land and sea:
Our hearts, a-tremble, throbbed in harmony
With the wild, restless tone of air and sky.
Shall we not call im Prospero who held
In his enchanted hands the fateful key
Of that tempestuous hour's mystery,
And with controlling wand our spirits spelled,
With him to wander by a sun-bright shore,
To hear fine, fairy voices, and to fly
With disembodied Ariel once more
Above earth's wrack and ruin? Far and nigh

The blatant horns blare strident sound;
Delighted, you laugh and seize
My passive arm, but I have found
Content in the harmonies.
They sound, are silent; please or annoy,
Are not clever, cruel, or coy
Like human qualities.
See agile fingers in frantic flight
Along the smoking row
Of piano keys cut from ebony night
And from the sullied snow
Of the city. Look love, listen love, tell me--
Where does the music come from really,
Where does it really go?
Planets are tensed to a single chord
Of absolute harmony

I

Flat as a drum-head stretch the haggard snows;
The mighty skies are palisades of light;
The stars are blurred; the silence grows and grows;
Vaster and vaster vaults the icy night.
Here in my sleeping-bag I cower and pray:
"Silence and night, have pity! stoop and slay."

I have not slept for many, many days.
I close my eyes with weariness -- that's all.
I still have strength to feed the drift-wood blaze,
That flickers weirdly on the icy wall.
I still have strength to pray: "God rest her soul,

O rising Sun, so fair and gay,
What are you bringing me, I pray,
Of sorrow or of joy to-day?

You look as if you meant to please,
Reclining in your gorgeous ease
Behind the bare-branched apple-trees.

The world is rich and bright, as though
The pillows where your head is low
Had lit the fields of driven snow.

The hoar-frost on the window turns
Into a wood of giant ferns
Where some great conflagration burns.

And all my children comes again
As lightsome and as free from stain
As those frost-pictures on the pane.

The meadow lark’s trill and the brown thrush’s whistle
From morning to evening fill all the sweet air,
And my heart is as light as the down of a thistle –
The world is so bright and the earth is so fair.
There is life in the wood, there is bloom on the meadow;
The air drops with songs that the merry birds sing.
The sunshine has won, in the battle with shadow,
And she’s dressed the glad earth with robes of the spring.

The bee leaves his hive for the field of red clover
And the vale where the daisies bloom white as the snow,