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To The Whore Who Took My Poems

some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;

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To the Tune

Breeze soft, sun frail, spring still early.
In a new lined dress my heart was refreshed,
But when I rose from sleep I felt a chill.
I put plum blossoms in my hair.
Now they are withered.
Where is my homeland?
I forgot it only when drunk.
The sandal wood incense burned out while I slept.
Now the perfume has gone,
But the wine has not gone.

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To the Same

I WOULD I had thy courage, dear, to face
This bankruptcy of love, and greet despair
With smiling eyes and unconcerned embrace,
And these few words of banter at “dull care.”
I would that I could sing and comb my hair
Like thee the morning through, and choose my dress,
And gravely argue what I best should wear,
A shade of ribbon or a fold of lace.
I would I had thy courage and thy peace,
Peace passing understanding; that mine eyes
Could find forgetfulness like thine in sleep;
That all the past for me like thee could cease

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To the Oracle at Delphi

Great Oracle, why are you staring at me,
do I baffle you, do I make you despair?
I, Americus, the American,
wrought from the dark in my mother long ago,
from the dark of ancient Europa--
Why are you staring at me now
in the dusk of our civilization--
Why are you staring at me
as if I were America itself
the new Empire
vaster than any in ancient days
with its electronic highways
carrying its corporate monoculture
around the world
And English the Latin of our days--

Great Oracle, sleeping through the centuries,

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To The God of Pain

UNWILLING priestess in thy cruel fane,
Long hast thou held me, pitiless god of Pain,
Bound to thy worship by reluctant vows,
My tired breast girt with suffering, and my brows
Anointed with perpetual weariness.
Long have I borne thy service, through the stress
Of rigorous years, sad days and slumberless nights,
Performing thine inexorable rites.


For thy dark altars, balm nor milk nor rice,
But mine own soul thou'st ta'en for sacrifice:

All the rich honey of my youth's desire,

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To the Evening Star

Thou fair-haired angel of the evening,
Now, whilst the sun rests on the mountains, light
Thy bright torch of love; thy radiant crown
Put on, and smile upon our evening bed!
Smile on our loves, and while thou drawest the
Blue curtains of the sky, scatter thy silver dew
On every flower that shuts its sweet eyes
In timely sleep. Let thy west wing sleep on
The lake; speak silence with thy glimmering eyes,
And wash the dusk with silver. Soon, full soon,
Dost thou withdraw; then the wolf rages wide,
And the lion glares through the dun forest.

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To the Earl of Warwick, on the Death of Mr. Addison

If, dumb too long, the drooping Muse hath stay'd,
And left her debt to Addison unpaid;
Blame not her silence, Warwick, but bemoan,
And judge, oh judge, my bosom by your own.
What mourner ever felt poetic fires!
Slow comes the verse that real woe inspires:
Grief unaffected suits but ill with art,
Or flowing numbers with a bleeding heart.

Can I forget the dismal night, that gave
My soul's best part for ever to the grave!
How silent did his old companions tread,
By midnight lamps, the mansions of the dead,

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To The Chapel Bell

"Lo I, the man who erst the Muse did ask
Her deepest notes to swell the Patriot's meeds,
Am now enforst a far unfitter task
For cap and gown to leave my minstrel weeds,"
For yon dull noise that tinkles on the air
Bids me lay by the lyre and go to morning prayer.

Oh how I hate the sound! it is the Knell,
That still a requiem tolls to Comfort's hour;
And loth am I, at Superstition's bell,
To quit or Morpheus or the Muses bower.
Better to lie and dose, than gape amain,
Hearing still mumbled o'er, the same eternal strain.

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To the Additional Examiner for 1875

Queen Cram went straying
Where Tait was swaying,
In just hands weighing,
With care immense,
Dry proofs made pleasant
By Routh or Besant
For one who hasn’t
Got too much sense.
Nor marked how, quicker
Than mounts the liquor
In brains made thicker
By College beer,
The murderous maiden,
Mistake, walks laden
With tips forgotten and slips so queer.

How, like a spider,
She still spreads wider,
O’er bookwork, rider,
And problem too,
Her flimsy curtain
Of terms uncertain,
Till all seems dirt in

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To Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell

song Fauc1

First.

[Chorus. Endymion. Luna.]

Chorus.
Th' Astrologers own Eyes are set,
And even Wolves the Sheep forget;
Only this Shepherd, late and soon,
Upon this Hill outwakes the Moon.
Heark how he sings, with sad delight,
Thorough the clear and silent Night.

Endymion
Cynthia, O Cynthia, turn thine Ear,
nor scorn Endymions plaints to hear.
As we our Flocks, so you command
The fleecy Clouds with silver wand.

Cynthia
If thou a Mortal, rather sleep;

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