Lovely dainty Spanish needle
With your yellow flower and white,
Dew bedecked and softly sleeping,
Do you think of me to-night?

Shadowed by the spreading mango,
Nodding o'er the rippling stream,
Tell me, dear plant of my childhood,
Do you of the exile dream?

Do you see me by the brook's side
Catching crayfish 'neath the stone,
As you did the day you whispered:
Leave the harmless dears alone?

Do you see me in the meadow
Coming from the woodland spring
With a bamboo on my shoulder

O sailors, did sweet eyes look after you
The day you sailed away from sunny Spain?
Bright eyes that followed fading ship and crew,
Melting in tender rain?

Did no one dream of that drear night to be,
Wild with the wind, fierce with the stinging snow,
When on yon granite point that frets the sea,
The ship met her death-blow?

Fifty long years ago these sailors died:
(None know how many sleep beneath the waves)
Fourteen gray headstones, rising side by side,
Point out their nameless graves,-

The sleep that flits on baby's eyes-does anybody know from where
it comes? Yes, there is a rumour that it has its dwelling where,
in the fairy village among shadows of the forest dimly lit with
glow-worms, there hang two shy buds of enchantment. From there it
comes to kiss baby's eyes.
The smile that flickers on baby's lips when he sleeps-does
anybody know where it was born? Yes, there is a rumour that a young
pale beam of a crescent moon touched the edge of a vanishing autumn
cloud, and there the smile was first born in the dream of a dew

The sea awoke at midnight from its sleep,
And round the pebbly beaches far and wide
I heard the first wave of the rising tide
Rush onward with uninterrupted sweep;
A voice out of the silence of the deep,
A sound mysteriously multiplied
As of a cataract from the mountain's side,
Or roar of winds upon a wooded steep.
So comes to us at times, from the unknown
And inaccessible solitudes of being,
The rushing of the sea-tides of the soul;
And inspirations, that we deem our own,
Are some divine of foreshadowing and foreseeing

The song of Tigilau the brave,
   Sina's wild lover,
   Who across the heaving wave
   From Samoa came over:
Came over, Sina, at the setting moon!

   The moon shines round and bright;
   She, with her dark-eyed maidens at her side,
   Watches the rising tide.
   While balmy breathes the starry southern night,
   While languid heaves the lazy southern tide;
The rising tide, O Sina, and the setting moon!

The man with his lion under the shed of wars
sheds his belief as if he shed tears.
The sound of words waits -
a barbarian host at the borderline of sense.

The enamord guards desert their posts
harkening to the lion-smell of a poem
that rings in their ears.

-Dreams, a certain guard said
were never designd so
to re-arrange an empire.

Along about six o'clock I take out my guitar
and sing to a lion
who sleeps like a line of poetry
in the shed of wars.

"Sweep thy faint strings, Musician,
With thy long lean hand;
Downward the starry tapers burn,
Sinks soft the waning sand;
The old hound whimpers couched in sleep,
The embers smoulder low;
Across the walls the shadows
Come, and go.

Sweep softly thy strings, Musician,
The minutes mount to hours;
Frost on the windless casement weaves
A labyrinth of flowers;
Ghosts linger in the darkening air,
Hearken at the open door;
Music hath called them, dreaming,
Home once more."

A sunbeam comes a-creeping
Into my dear one's nest,
And sings to our babe a-sleeping
The song that I love the best:
"'T is little Luddy-Dud in the morning -
'T is little Luddy-Dud at night;
And all day long
'T is the same sweet song
Of that waddling, toddling, coddling little mite,
Luddy-Dud."

The bird to the tossing clover,
The bee to the swaying bud,
Keep singing that sweet song over
Of wee little Luddy-Dud.
"'T is little Luddy-Dud in the morning -
'T is little Luddy-Dud at night;
And all day long

Silent, oh Moyle, be the roar of thy water,
Break not, ye breezes, your chain of repose,
While, murmuring mournfully, Lir's lonely daughter
Tell's to the night-star her tale of woes.
When shall the swan, her death-note singing,
Sleep, with wings in darkness furl'd?
When will heaven, its sweet bell ringing,
Call my spirit from this stormy world?

Sadly, oh Moyle, to thy winter-wave weeping,
Fate bids me languish long ages away;
Yet still in her darkness doth Erin lie sleeping,
Still doth the pure light its dawning delay.

III. For the Creche

Form 8277059, Sub-Section K

I remember my mother, the day that we met,
A thing I shall never entirely forget;
And I toy with the fancy that, young as I am,
I should know her again if we met in a tram.
But mother is happy in turning a crank
That increases the balance in somebody's bank;
And I feel satisfaction that mother is free
From the sinister task of attending to me.

They have brightened our room, that is spacious and cool,
With diagrams used in the Idiot School,