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The Fight With The Dragon

Why run the crowd? What means the throng
That rushes fast the streets along?
Can Rhodes a prey to flames, then, be?
In crowds they gather hastily,
And, on his steed, a noble knight
Amid the rabble, meets my sight;
Behind him--prodigy unknown!--
A monster fierce they're drawing on;
A dragon stems it by its shape,
With wide and crocodile-like jaw,
And on the knight and dragon gape,
In turns, the people, filled with awe.

And thousand voices shout with glee
"The fiery dragon come and see,

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The Fifth Ode of the First Book of Horace Imitated

Quis multa gracilis te puer in rosa.


For whom are now your airs put on,
And what new beauty's doom'd to be undone?
That careless elegance of dress,
This essence that perfumes the wind,
Your ev'ry motion does confess
Some secret conquest is design'd.
Alas! the poor unhappy maid,
To what a train of ills betray'd!
What fears, what pangs shall rend her breast,
How will her eyes dissolve in tears!
That now with glowing joy is bless'd,
Charm'd with the faithless vows she hears.

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The Fifth Ode Of Horace. Lib. I

Quis multa gracilis te puer in Rosa
Rendred almost word for word without Rhyme according to the
Latin Measure, as near as the Language permit.

WHAT slender Youth bedew'd with liquid odours
Courts thee on Roses in some pleasant Cave,
Pyrrha for whom bind'st thou
In wreaths thy golden Hair,
Plain in thy neatness; O how oft shall he
On Faith and changed Gods complain: and Seas
Rough with black winds and storms
Unwonted shall admire:
Who now enjoyes thee credulous, all Gold,

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The Feud

I hear a cry from the Sansard cave,
O mother, will no one hearken?
A cry of the lost, will no one save?
A cry of the dead, though the oceans rave,
And the scream of a gull as he wheels o'er a grave,
While the shadows darken and darken.'

'Oh, hush thee, child, for the night is wet,
And the cloud-caves split asunder,
With lightning in a jagged fret,
Like the gleam of a salmon in the net,
When the rocks are rich in the red sunset,
And the stream rolls down in thunder.'

'Mother, O mother, a pain at my heart,

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The Feet of the Young Men

Now the Four-way Lodge is opened, now the Hunting Winds are loose --
Now the Smokes of Spring go up to clear the brain;
Now the Young Men's hearts are troubled for the whisper of the Trues,
Now the Red Gods make their medicine again!
Who hath seen the beaver busied? Who hath watched the black-tail mating?
Who hath lain alone to hear the wild-goose cry'
Who hath worked the chosen water where the ouananiche is waiting,
Or the sea-trout's jumping-crazy for the fly?

He must go -- go -- go away from here!

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The feet of people walking home

7

The feet of people walking home
With gayer sandals go—
The Crocus— til she rises
The Vassal of the snow—
The lips at Hallelujah
Long years of practise bore
Til bye and bye these Bargemen
Walked singing on the shore.

Pearls are the Diver's farthings
Extorted from the Sea—
Pinions— the Seraph's wagon
Pedestrian once— as we—
Night is the morning's Canvas
Larceny— legacy—
Death, but our rapt attention
To Immortality.

My figures fail to tell me
How far the Village lies—
Whose peasants are the Angels—

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The Fathers

Traditionally, the same actor plays Captain Hook
and Mr. Darling.
-- The Picture Book of Peter Pan (c. 1930)


Something's familiar about that villain
striding the deck of the Jolly Roger, chest
puffed out under the fancy jabot --
a bit like, yes, like Father huffing around
before an evening out, proper shirtfront
outthrust by an important bay window.
Particular about his cuff links as a pirate
about lace at his wrists. Same air of dashing
yet dastardly middle age. A penchant

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The Fate of Bass

On the snow-line of the summit stood the Spaniard's English slave;
And the frighted condor westward flew afar---
Where the torch of Cotopaxi lit the wide Pacific wave,
And the tender moon embraced a new-born star.
Blanched the cheek that Austral breezes off Van Diemen's coast had tanned,
Bent the form that on the deck stood stalwart there;
Slim and pallid as a woman's was the sailor's sunburnt hand,
And untimely silver streaked the strong man's hair.
From the forest far beneath him came the baffled bloodhound's bay,

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The Farewell XXVIII

And now it was evening.

And Almitra the seeress said, "Blessed be this day and this place and your spirit that has spoken."

And he answered, Was it I who spoke? Was I not also a listener?

Then he descended the steps of the Temple and all the people followed him. And he reached his ship and stood upon the deck.

And facing the people again, he raised his voice and said:

People of Orphalese, the wind bids me leave you.

Less hasty am I than the wind, yet I must go.

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