Three months after he lies dead, that
long yellow narrow body,
not like Christ but like one of his saints,
the naked ones in the paintings whose bodies are
done in gilt, all knees and raw ribs,
the ones who died of nettles, bile, the
one who died roasted over a slow fire—
three months later I take the pot of
tulip bulbs out of the closet
and set it on the table and take off the foil hood.
The shoots stand up like young green pencils,
and there in the room is the comfortable smell of rot,
the bulb that did not make it, marked with

For Grace Bulmer Bowers


From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,

Whilst the moon decks herself in Neptune's glass
And ponders over her image in the sea,
Her cloudy locks smoothing from off her face
That she may all as bright as beauty be;
It is my wont to sit upon the shore
And mark with what an even grace she glides
Her two concurrent paths of azure o'er,
One in the heavens, the other in the tides:
Now with a transient veil her face she hides
And ocean blackens with a human frown;
Now her fine screen of vapour she divides
And looks with all her light of beauty down;
Her splendid smile over-silvering the main

Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,

and the gulf enters the sea and so forth,
none of them emptying anything,
all of them carrying yesterday
forever on their white tipped backs,
all of them dragging forward tomorrow.
it is the great circulation
of the earth's body, like the blood
of the gods, this river in which the past
is always flowing. every water
is the same water coming round.
everyday someone is standing on the edge
of this river, staring into time,
whispering mistakenly:
only here. only now.

Wind of the gentle summer night,
Dwell in the lilac tree,
Sway the blossoms clustered light,
Then blow over to me.

Wind, you are sometimes strong and great,
You frighten the ships at sea,
Now come floating your delicate freight
Out of the lilac tree,

Wind you must waver a gossamer sail
To ferry a scent so light,
Will you carry my love a message as frail
Through the hawk-haunted night?

For my heart is sometimes strange and wild,
Bitter and bold and free,
I scare the beautiful timid child,

I

Who would be
A merman gay,
Singing alone,
Sitting alone,
With a mermaid's knee,
For instance--hey--
For a throne?

II

I would be a merman gay;
I would sit and sing the whole day long;
I would fill my lungs with the strongest brine,
And squirt it up in a spray of song,
And soak my head in my liquid voice;
I'd curl my tail in curves divine,
And let each curve in a kink rejoice.
I'd tackle the mermaids under the sea,
And yank 'em around till they yanked me,
Sportively, sportively;

The ship that took my mother to Ellis Island
Eighty-three years ago was named "The Mercy."
She remembers trying to eat a banana
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman
who gave her a bite and wiped her mouth for her
with a red bandana and taught her the word,
"orange," saying it patiently over and over.
A long autumn voyage, the days darkening
with the black waters calming as night came on,
then nothing as far as her eyes could see and space
without limit rushing off to the corners

Where sails the ship?--It leads the Tyrian forth
For the rich amber of the liberal north.
Be kind, ye seas--winds, lend your gentlest wing,
May in each creek sweet wells restoring spring!--
To you, ye gods, belong the merchant!--o'er
The waves his sails the wide world's goods explore;
And, all the while, wherever waft the gales
The wide world's good sails with him as he sails!

Where we went in the boat was a long bay
a slingshot wide, walled in by towering stone--
Peaked margin of antiquity's delay,
And we went there out of time's monotone:

Where we went in the black hull no light moved
But a gull white-winged along the feckless wave,
The breeze, unseen but fierce as a body loved,
That boat drove onward like a willing slave:

Where we went in the small ship the seaweed
Parted and gave to us the murmuring shore
And we made feast and in our secret need
Devoured the very plates Aeneas bore: