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The Pity of It

I. In South Africa

Over the lonesome African plain
The stars look down, like eyes of the slain.

A bumping ride across gullies and ruts,
Now a grumble and now a jest,
A bit of profanity jolted out,
--Whist!
Into a hornet's nest!
Curse on the scout!
Long-bearded Boers rising out of the rocks,
Rocks that already are crimson-splashed,
Ping-ping of bullets, stabbings and cuts,
As if hell hurtled and hissed,
--Then, muffling the shocks,
A sting in the breast,
A mist,

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The Pirates in England

Saxon Invasion, A.D. 400-600


When Rome was rotten-ripe to her fall,
And the sceptre passed from her hand,
The pestilent Picts leaped over the wall
To harry the English land.

The little dark men of the mountain and waste,
So quick to laughter and tears,
They came panting with hate and haste
For the loot of five hundred years.

They killed the trader, they sacked the shops,
They ruined temple and town--
They swept like wolves through the standing crops
Crying that Rome was down.

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The Pipes At Lucknow

Pipes of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!

Dear to the Lowland reaper,
And plaided mountaineer, -
To the cottage and the castle
The Scottish pipes are dear; -
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.

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The Pilot That Weath'd The Storm

If hush'd the loud whirlwind that ruffled the deep,
The sky, if no longer dark tempests deform;
When our perils are past, shall our gratitude sleep?
No!--Here's to the Pilot who weather'd the storm!


At the foot-stool of Power let flattery fawn,
Let Faction her idols extol to the skies;
To virtue in humble resentment withdrawn,
Unblam'd may the merits of gratitude rise.


And shall not His memory to Britain be dear,
Whose example with envy all nations behold;
A Statesman unbiass'd by int'rest or fear,

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The Picture of Little T. C. in a Prospect of Flowers

See with what simplicity
   This nymph begins her golden days!
   In the green grass she loves to lie,
   And there with her fair aspect tames
   The wilder flowers, and gives them names;
   But only with the roses plays,
   And them does tell
What colour best becomes them, and what smell.

   Who can foretell for what high cause
   This darling of the gods was born?
   Yet this is she whose chaster laws

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The Piano-Organ

My student-lamp is lighted,
The books and papers are spread;
A sound comes floating upwards,
Chasing the thoughts from my head.

I open the garret window,
Let the music in and the moon;
See the woman grin for coppers,
While the man grinds out the tune.

Grind me a dirge or a requiem,
Or a funeral-march sad and slow,
But not, O not, that waltz tune
I heard so long ago.

I stand upright by the window,
The moonlight streams in wan:--
O God! with its changeless rise and fall
The tune twirls on and on.

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The Phoenix

O Blest unfabled Incense Tree,
That burns in glorious Araby,
With red scent chalicing the air,
Till earth-life grow Elysian there!

Half buried to her flaming breast
In this bright tree, she makes her nest,
Hundred sunn'd Phoenix! When she must
Crumble at length to hoary dust!

Her gorgous death-bed! Her rich pyre
Burnt up with aromatic fire!
Her urn, sight high from spoiler men!
Her birthplace when self-born again!

The mountainless green wilds among,
Here ends she her unechoing song!
With amber tears and oderous sighs

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The Philanderer

Oh, have you forgotten those afternoons
With riot of roses and amber skies,
When we thrilled to the joy of a million Junes,
And I sought for your soul in the deeps of your eyes?
I would love you, I promised, forever and aye,
And I meant it too; yet, oh, isn't it odd?
When we met in the Underground to-day
I addressed you as Mary instead of as Maude.

Oh, don't you remember that moonlit sea,
With us on a silver trail afloat,
When I gracefully sank on my bended knee
At the risk of upsetting our little boat?

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The Phantom Horsewoman

Queer are the ways of a man I know:
He comes and stands
In a careworn craze,
And looks at the sands
And in the seaward haze
With moveless hands
And face and gaze,
Then turns to go...
And what does he see when he gazes so?

They say he sees as an instant thing
More clear than today,
A sweet soft scene
That once was in play
By that briny green;
Yes, notes alway
Warm, real, and keen,
What his back years bring-
A phantom of his own figuring.

Of this vision of his they might say more:
Not only there

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The Petition for an Absolute Retreat

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,

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