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The Trees like Tassels—hit—and swung—
There seemed to rise a Tune
From Miniature Creatures
Accompanying the Sun—

Far Psalteries of Summer—
Enamoring the Ear
They never yet did satisfy—
Remotest—when most fair

The Sun shone whole at intervals—
Then Half—then utter hid—
As if Himself were optional
And had Estates of Cloud

Sufficient to enfold Him
Eternally from view—
Except it were a whim of His
To let the Orchards grow—

A Bird sat careless on the fence—
One gossipped in the Lane

I know: to the trees, but not to us,
Perfection of the life is given, whole.
And on the Earth – the sister of the stars –
We live in exile, while they do at home.

In latest falls, in sad and empty fields,
The red-brass dawns and amber-clad sunrises
Teach to the hues, dissolved in thinnest films,
These people – green and free forever masses.

Moses exists among these oaks, tall,
And Mary, too – among the palms for ages …
Their souls send to the others quiet calls
With waters, run in darkness, void of edges.

Pamela was too gentle to deceive
Her roses. “Let the men stay where they are,”
She said, “and if Apollo’s avatar
Be one of them, I shall not have to grieve.”
And so she made all Tilbury Town believe
She sighed a little more for the North Star
Than over men, and only in so far
As she was in a garden was like Eve.

Her neighbors—doing all that neighbors can
To make romance of reticence meanwhile—
Seeing that she had never loved a man,
Wished Pamela had a cat, or a small bird,
And only would have wondered at her smile

When colour goes home into the eyes,
And lights that shine are shut again
With dancing girls and sweet birds’ cries
Behind the gateways of the brain;
And that no-place which gave them birth, shall close
The rainbow and the rose:—

Still may Time hold some golden space
Where I’ll unpack that scented store
Of song and flower and sky and face,
And count, and touch, and turn them o’er,
Musing upon them; as a mother, who
Has watched her children all the rich day through
Sits, quiet-handed, in the fading light,

(To a Man who maintained that the Mausoleum is the Stateliest Possible Manner of Interment)


I would be one with the dark, dark earth:--
Follow the plough with a yokel tread.
I would be part of the Indian corn,
Walking the rows with the plumes o'erhead.

I would be one with the lavish earth,
Eating the bee-stung apples red:
Walking where lambs walk on the hills;
By oak-grove paths to the pools be led.

I would be one with the dark-bright night
When sparkling skies and the lightning wed--

When I knew, it was raining.
Winter in decline. I was tired.
You in your soaked shirt diffused
into the western sky bulging with clouds,
speeding cars a few feet away—
why would they not slow down?

Though afternoon, a slip of moon
busied itself with rising,
and it had to mean something.
If only the moon were not out.
You shoveled the crushed tortoise
and her eggs off the highway into the dirt.

Those soft, white eggs.
This is how I love you:
drenched with Florida rain
and looking like hell,

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore

The First Voice

He trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,

That Barret, the painter of pictures, what feeling for color he had!
And Fanning, the maker of music, such melodies mirthful and mad!
And Harley, the writer of stories, so whimsical, tender and glad!

To hark to their talk in the trenches, high heart unfolding to heart,
Of the day when the war would be over, and each would be true to his part,
Upbuilding a Palace of Beauty to the wonder and glory of Art . . .

Yon's Barret, the painter of pictures, yon carcass that rots on the wire;
His hand with its sensitive cunning is crisped to a cinder with fire;

When the buds began to burst,
Long ago, with Rose the First
I was walking; joyous then
Far above all other men,
Till before us up there stood
Britonferry's oaken wood,
Whispering, "Happy as thou art,
Happiness and thou must part."
Many summers have gone by
Since a Second Rose and I
(Rose from the same stem) have told
This and other tales of old.
She upon her wedding day
Carried home my tenderest lay:
From her lap I now have heard
Gleeful, chirping, Rose the Third.
Not for her this hand of mine