From wrath-red dawn to wrath-red dawn,
The guns have brayed without abate;
And now the sick sun looks upon
The bleared, blood-boltered fields of hate
As if it loathed to rise again.
How strange the hush! Yet sudden, hark!
From yon down-trodden gold of grain,
The leaping rapture of a lark.

A fusillade of melody,
That sprays us from yon trench of sky;
A new amazing enemy
We cannot silence though we try;
A battery on radiant wings,
That from yon gap of golden fleece

The ladye she stood at her lattice high,
Wi' her doggie at her feet;
Thorough the lattice she can spy
The passers in the street,

'There's one that standeth at the door,
And tirleth at the pin:
Now speak and say, my popinjay,
If I sall let him in.'

Then up and spake the popinjay
That flew abune her head:
'Gae let him in that tirls the pin:
He cometh thee to wed.'

O when he cam' the parlour in,
A woeful man was he!
'And dinna ye ken your lover agen,
Sae well that loveth thee?'

CORONACH


He is gone on the mountain,
He is lost to the forest,
Like a summer-dried fountain,
When our need was the sorest.
The font, reappearing,
From the rain-drops shall borrow,
But to us comes no cheering,
To Duncan no morrow!

The hand of the reaper
Takes the ears that are hoary,
But the voice of the weeper
Wails manhood in glory.
The autumn winds rushing
Waft the leaves that are searest,
But our flower was in flushing,

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.

Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.

[Dedicated to K.M.Ward]


"I will arise and go unto my father"

MALKUTH

Dark, dark all dark! I cower, I cringe.
Only ablove me is a citron tinge
As if some echo of red, gold and lue
Chimed on the night and let its shadow through.
Yet I who am thus prisoned and exiled
Am the right heir of glory, the crowned child.

I match my might against my Fate's
I gird myself to reach the ultimate shores,
I arm myself the war to win:-
Lift up your heads, O mighty gates!
Be ye lift up, ye everlasting doors!

I

"O Time, whence comes the Mother's moody look amid her labours,
   As of one who all unwittingly has wounded where she loves?
   Why weaves she not her world-webs to according lutes and tabors,
With nevermore this too remorseful air upon her face,
   As of angel fallen from grace?"

II

- "Her look is but her story: construe not its symbols keenly:
   In her wonderworks yea surely has she wounded where she loves.

It was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge trudged, all blithely ballading
   The Mother's smiling reign.

   "Why warbles he that skies are fair
And coombs alight," she cried, "and fallows gay,
When I have placed no sunshine in the air
   Or glow on earth to-day?"

   "'Tis in the comedy of things
That such should be," returned the one of Doom;
"Charge now the scene with brightest blazonings,

The King's Breakfast
The King asked
The Queen, and
The Queen asked
The Dairymaid:
"Could we have some butter for
The Royal slice of bread?"
The Queen asked the Dairymaid,
The Dairymaid
Said, "Certainly,
I'll go and tell the cow
Now
Before she goes to bed."

The Dairymaid
She curtsied,
And went and told
The Alderney:
"Don't forget the butter for
The Royal slice of bread."
The Alderney
Said sleepily:
"You'd better tell
His Majesty
That many people nowadays
Like marmalade
Instead."

She sleeps on soft, last breaths; but no ghost looms
Out of the stillness of her palace wall,
Her wall of boys on boys and dooms on dooms.

She dreams of golden gardens and sweet glooms,
Not marvelling why her roses never fall
Nor what red mouths were torn to make their blooms.

The shades keep down which well might roam her hall.
Quiet their blood lies in her crimson rooms
And she is not afraid of their footfall.

They move not from her tapestries, their pall,
Nor pace her terraces, their hecatombs,