ABOVE yon sombre swell of land
   Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
   And over that a vein of blue.

The air is cold above the woods;
   All silent is the earth and sky,
Except with his own lonely moods
   The blackbird holds a colloquy.

Over the broad hill creeps a beam,
   Like hope that gilds a good man's brow;
And now ascends the nostril-stream
   Of stalwart horses come to plough.

Play on thy mother's bosom, babe, for in that holy isle
The error cannot find thee yet, the grieving, nor the guile;
Held in thy mother's arms above life's dark and troubled wave,
Thou lookest with thy fearless smile upon the floating grave.
Play, loveliest innocence!--Thee yet Arcadia circles round,
A charmed power for thee has set the lists of fairy ground;
Each gleesome impulse Nature now can sanction and befriend,
Nor to that willing heart as yet the duty and the end.

One hour devoted to the pursuit of Beauty
And Love is worth a full century of glory
Given by the frightened weak to the strong.


From that hour comes man's Truth; and
During that century Truth sleeps between
The restless arms of disturbing dreams.


In that hour the soul sees for herself
The Natural Law, and for that century she
Imprisons herself behind the law of man;
And she is shackled with irons of oppression.


That hour was the inspiration of the Songs
Of Solomon, an that century was the blind

If hush'd the loud whirlwind that ruffled the deep,
The sky, if no longer dark tempests deform;
When our perils are past, shall our gratitude sleep?
No!--Here's to the Pilot who weather'd the storm!


At the foot-stool of Power let flattery fawn,
Let Faction her idols extol to the skies;
To virtue in humble resentment withdrawn,
Unblam'd may the merits of gratitude rise.


And shall not His memory to Britain be dear,
Whose example with envy all nations behold;
A Statesman unbiass'd by int'rest or fear,

Lead, Kindly Light, amid the encircling gloom,
Lead Thou me on!
The night is dark, and I am far from home --
Lead Thou me on!
Keep Thou my feet; I do not ask to see
The distant scene, -- one step enough for me.

I was not ever thus, nor pray'd that Thou
Should'st lead me on.
I loved to choose and see my path; but now
Lead Thou me on!
I loved the garish day, and, spite of fears,
Pride ruled my will: remember not past years.

Hast thou the infant seen that yet, unknowing of the love
Which warms and cradles, calmly sleeps the mother's heart above--
Wandering from arm to arm, until the call of passion wakes,
And glimmering on the conscious eye--the world in glory breaks?

And hast thou seen the mother there her anxious vigil keep?
Buying with love that never sleeps the darling's happy sleep?
With her own life she fans and feeds that weak life's trembling rays,
And with the sweetness of the care, the care itself repays.

'Enough of thought, philosopher!
Too long hast thou been dreaming
Unlightened, in this chamber drear,
While summer's sun is beaming!
Space - sweeping soul, what sad refrain
Concludes thy musings once again?

'Oh, for the time when I shall sleep
Without identity,
And never care how rain may steep,
Or snow may cover me!
No promised heaven, these wild desires,
Could all, or half fulfil;
No threathened hell, with quenchless fires,
Subdue this quenchless will!'

'So said I, and still say the same;

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,

The passions that we fought with and subdued
Never quite die. In some maimed serpent's coil
They lurk, ready to spring and vindicate
That power was once our torture and our lord.

An Ode for Music

When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting:
By turns they felt the glowing mind
Disturbed, delighted, raised, refined;
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound,
And, as they oft had heard apart
Sweet lessons of her forceful art,