Deare Friend.

I heare this Towne does soe abound,
With sawcy Censurers, that faults are found,
With what of late wee (in Poetique Rage)
Bestowing, threw away on the dull Age;
But (howsoe're Envy, their Spleen may raise,
To Robb my Brow, of the deserved Bays)
Their thanks at least I merit since through me,
They are Partakers of your Poetry;
And this is all, I'll say in my defence,
T'obtaine one Line, of your well worded Sense

I'd be content t'have writ the Brittish Prince.

Deare Friend.
I
I heare this Towne does soe abound,
With sawcy Censurers, that faults are found,
With what of late wee (in Poetique Rage)
Bestowing, threw away on the dull Age;
But (howsoe're Envy, their Spleen may raise,
To Robb my Brow, of the deserved Bays)
Their thanks at least I merit since through me,
They are Partakers of your Poetry;
And this is all, I'll say in my defence,
T'obtaine one Line, of your well worded Sense
II
I'd be content t'have writ the Brittish Prince.

Poetry,
you are an electric,
a magic, field--like the space
between a sleepwalker's outheld arms!

Freedom is not to be proved but is rather a postulate
of action. Thus excellent Berdyaev,
who has meant much to me,
although I must shake my head and make a face
when he undertakes to explain
the Holy Ghost. We are unbelievers,
Cindy, which may be (I regularly
think it is) our misfortune. But we are still
existentialist lovers. Yes,
strange Soren Kierkegaard of Hamlet's province
would approve of us--well, somewhat--in our unchurchly
dark
devotions. In Syracuse the rain falls every day,
or so it seems; the faces

Faithful to your commandments, o consciousness, o

Holy bird of words soaring ever whether to nothingness or
to inconceivable fulfillment slowly:

And still I follow you, awkward as that dandy of ontology
and as awkward as his albatross and as

another dandy of ontology before him, another shepherd
and watchdog of being, the one who

Talked forever of forever as if forever of having been
and being an ancient mariner,

Hesitant forever as if forever were the albatross

I


Diana was never more pleasing to her lover,
when, by a stroke of fate, he saw her naked,
shown in the deep pool of icy water,
than I was by the mountain shepherdess,
standing there to wash her delightful veil,
that keeps blonde, lovely hair from the wind’s stress,
so that, now heaven’s fires overspill,
she made me tremble with an amorous chill.



II


Now that the wind and earth and sky are silent,
and the wild birds and creatures curbed by sleep,
without a wave the sea rests in the deep,

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

There were the usual celebrations, the usual sorrows

Spring, rainbows,
ordinary miracles
about which
nothing new can be said.

The stars on a clear night
of a New England winter;
the soft air of the islands
along the old
Spanish Main;
pirate gold shining
in the palm;
the odor of roses
to the lover's nose. . .

There is no more poetry
to be written
of these things.
The rainbow's sudden revelation--
behold!
The cliché is true!
What can one say
but that?

So too
with you, little heart,
little miracle,

but you are

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror
he has to slap both his hands across

IT was a dismal and a fearful night:
Scarce could the Morn drive on th' unwilling Light,
When Sleep, Death's image, left my troubled breast
   By something liker Death possest.
My eyes with tears did uncommanded flow,
   And on my soul hung the dull weight
   Of some intolerable fate.
What bell was that? Ah me! too much I know!

My sweet companion and my gentle peer,
Why hast thou left me thus unkindly here,
Thy end for ever and my life to moan?