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The Philosopher, the Young Man, and his Statue

A Fond Athenian Mother brought
A Sculptor to indulge her Thought,
And carve her Only Son;
Who to such strange perfection wrought,
That every Eye the Statue caught
Nor ought was left undone.

A youthful Smile adorn'd the Face,
The polish gave that Smile a Grace;
And through the Marble reigns
(Which well the Artist's Skill cou'd trace,
And in their due Positions place)
A Thread of purple Veins.

The Parasites about it came,
(Whose Praises were too large to name)
And to each other said;

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The Petition for an Absolute Retreat

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,

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The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--

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The Pasture

I'm going out to clean the pasture spring;
I'll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I shan't be gone long. -- You come too.

I'm going out to fetch the little calf
That's standing by the mother. It's so young,
It totters when she licks it with her tongue.
I shan't be gone long. -- You come too.

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The Pariah - Legend

Water-fetching goes the noble
Brahmin's wife, so pure and lovely;
He is honour'd, void of blemish.
And of justice rigid, stern.
Daily from the sacred river
Brings she back refreshments precious;--
But where is the pail and pitcher?
She of neither stands in need.
For with pure heart, hands unsullied,
She the water lifts, and rolls it
To a wondrous ball of crystal
This she bears with gladsome bosom,
Modestly, with graceful motion,
To her husband in the house.

She to-day at dawn of morning
Praying comes to Ganges' waters,

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The Paradox

I am the mother of sorrows,
I am the ender of grief;
I am the bud and the blossom,
I am the late-falling leaf.

I am thy priest and thy poet,
I am thy serf and thy king;
I cure the tears of the heartsick,
When I come near they shall sing.

White are my hands as the snowdrop;
Swart are my fingers as clay;
Dark is my frown as the midnight,
Fair is my brow as the day.

Battle and war are my minions,
Doing my will as divine;
I am the calmer of passions,
Peace is a nursling of mine.

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The Painted Ceiling

My Grandpapa lives in a wonderful house
With a great many windows and doors,
There are stairs that go up, and stairs that go down,
And such beautiful, slippery floors.

But of all of the rooms, even mother's and mine,
And the bookroom, and parlour and all,
I like the green dining-room so much the best
Because of its ceiling and wall.

Right over your head is a funny round hole
With apples and pears falling through;
There's a big bunch of grapes all purply and sweet,
And melons and pineapples too.

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The Oxford Thrushes

FEBRUARY, 1917

I never thought again to hear
The Oxford thrushes singing clear,
Amid the February rain,
Their sweet, indomitable strain.

A wintry vapor lightly spreads
Among the trees, and round the beds
Where daffodil and jonquil sleep,
Only the snowdrop wakes to weep.

It is not springtime yet. Alas,
What dark, tempestuous days must pass,
Till England's trial by battle cease,
And summer comes again with peace.

The lofty halls, the tranquil towers,
Where Learning in untroubled hours

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The Owl Describing her Young Ones

Why was that baleful Creature made,
Which seeks our Quiet to invade,
And screams ill Omens through the Shade?

'Twas, sure, for every Mortals good,
When, by wrong painting of her Brood,
She doom'd them for the Eagle's Food:

Who proffer'd Safety to her Tribe,
Wou'd she but shew them or describe,
And serving him, his Favour bribe.

When thus she did his Highness tell;
In Looks my Young do all excel,
Nor Nightingales can sing so well.

You'd joy to see the pretty Souls,
With wadling Steps and frowzy Poles,

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The Owl And The Sparrow

In elder days, in Saturn's prime,
Ere baldness seized the head of Time,
While truant Jove, in infant pride,
Play'd barefoot on Olympus' side,
Each thing on earth had power to chatter,
And spoke the mother tongue of nature.
Each stock or stone could prate and gabble,
Worse than ten labourers of Babel.
Along the street, perhaps you'd see
A Post disputing with a Tree,
And mid their arguments of weight,
A Goose sit umpire of debate.
Each Dog you met, though speechless now,
Would make his compliments and bow,

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