This harpie with dry red curls
talked openly of her husband,
his impotence, his death, the death
of her lover, the birth and death
of her own beauty. She stared
into the mirror next to
our table littered with the wreck
of her appetite and groaned:
Look what you've done to me!
as though only that moment
she'd discovered her own face.
Look, and she shoved the burden
of her ruin on the waiter.

I do not believe in sorrow;
it is not American.
At 8,000 feet the towns
of this blond valley smoke

I thought there would be a grave beauty, a sunset splendour
In being the last of one's kind: a topmost moment as one watched
The huge wave curving over Atlantis, the shrouded barge
Turning away with wounded Arthur, or Ilium burning.
Now I see that, all along, I was assuming a posterity
Of gentle hearts: someone, however distant in the depths of time,
Who could pick up our signal, who could understand a story. There won't be.

Between the new Hembidae and us who are dying, already
There rises a barrier across which no voice can ever carry,

From earth I seem to wing my flight,
And sun myself in Heaven's pure light,
When thy sweet gaze meets mine
I dream I quaff ethereal dew,
When my own form I mirrored view
In those blue eyes divine!

Blest notes from Paradise afar,
Or strains from some benignant star
Enchant my ravished ear:
My Muse feels then the shepherd's hour
When silvery tones of magic power
Escape those lips so dear!

Young Loves around thee fan their wings--
Behind, the maddened fir-tree springs,
As when by Orpheus fired:

Love, you have led me to the strand,
Here, where the stilly, sunset sea,
Ever receding silently,
Lays bare a shining stretch of sand;

Which, as we tread, in waving line,
Sinks softly 'neath our moving feet;
And looking down our glances meet,
Two mirrored figures--yours and mine.

To-night you found me sad, alone,
Amid the noisy, empty books
And drew me forth with those sweet looks,
And gentle ways which are your own.

The glory of the setting sun
Has sway'd and softened all my mood;
This wayward heart you understood,

It is a light, that the wind has extinguished.
It is a pub on the heath, that a drunk departs in the afternoon.
It is a vineyard, charred and black with holes full of spiders.
It is a space, that they have white-limed with milk.
The madman has died. It is a South Sea island,
Receiving the Sun-God. One makes the drums roar.
The men perform warlike dances.
The women sway their hips in creeping vines and fire-flowers,
Whenever the ocean sings. O our lost Paradise.

The nymphs have departed the golden woods.

'TIS easier far a wreath to bind,
Than a good owner fort to find.
-----
I KILL'D a thousand flies overnight,
Yet was waken'd by one, as soon as twas light.
-----
To the mother I give;
For the daughter I live.
-----
A BREACH is every day,
By many a mortal storm'd;
Let them fall in the gaps as they may,
Yet a heap of dead is ne'er form'd.
-----
WHAT harm has thy poor mirror done, alas?
Look not so ugly, prythee, in the glass!

...Preamble

A rough draft
for an ars poetica

. . . . . . .

Let's get our dreams unstuck

The grain of rye
free from the prattle of grass
et loin de arbres orateurs

I

plant

it

It will sprout


But forget about
the rustic festivities

For the explosive word
falls harmlessly
eternal through
the compact generations

and except for you

nothing
denotates

its sweet-scented dynamite

Religions are poems. They concert
our daylight and dreaming mind, our
emotions, instinct, breath and native gesture

into the only whole thinking: poetry.
Nothing's said till it's dreamed out in words
and nothing's true that figures in words only.

A poem, compared with an arrayed religion,
may be like a soldier's one short marriage night
to die and live by. But that is a small religion.

Full religion is the large poem in loving repetition;
like any poem, it must be inexhaustible and complete

This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.

Even while you sit there, unmovable,
You have begun to vanish. And it does not matter.
The poem will go on without you.
It has the spurious glamor of certain voids.

It is not sad, really, only empty.
Once perhaps it was sad, no one knows why.
It prefers to remember nothing.
Nostalgias were peeled from it long ago.

Your type of beauty has no place here.

In the early evening, a now, as man is bending
over his writing table.
Slowly he lifts his head; a woman
appears, carrying roses.
Her face floats to the surface of the mirror,
marked with the green spokes of rose stems.

It is a form
of suffering: then always the transparent page
raised to the window until its veins emerge
as words finally filled with ink.

And I am meant to understand
what binds them together
or to the gray house held firmly in place by dusk

because I must enter their lives: