Master I may be,
But not of my fate.
Now come the kisses, too many too late.
Tell me, O Parcae,
For fain would I know,
Where were these kisses three decades ago?
Girls there were plenty,
Mint julep girls, beer girls,
Gay younger married and headstrong career girls,
The girls of my friends
And the wives of my friends,
Some smugly settled and some at loose ends,
Sad girls, serene girls,
Girls breathless and turbulent,
Debs cosmopolitan, matrons suburbulent,
All of them amiable,
All of them cordial,

The ivy o'er the mouldering wall
Spreads like a tree, the growth of years:
The wild wind through the doorless hall
A melancholy music rears,
A solitary voice, that sighs
O'er man's forgotten pageantries.
Above the central gate, the clock,
Through clustering ivy dimly seen,
Seems, like the ghost of Time, to mock
The wrecks of power that once has been.
The hands are rusted on its face;
Even where they ceased, in years gone by,
To keep the flying moments pace;
Fixing, in Fancy's thoughtful eye,

An ingenuity too astonishing
to be quite fortuitous is
this bog full of sundews, sphagnum-
lines and shaped like a teacup.
A step
down and you're into it; a
wilderness swallows you up:
ankle-, then knee-, then midriff-
to-shoulder-deep in wetfooted
understory, an overhead
spruce-tamarack horizon hinting
you'll never get out of here.
But the sun
among the sundews, down there,
is so bright, an underfoot
webwork of carnivorous rubies,
a star-swarm thick as the gnats

692

The Sun kept setting—setting—still
No Hue of Afternoon—
Upon the Village I perceived
From House to House 'twas Noon—

The Dusk kept dropping—dropping—still
No Dew upon the Grass—
But only on my Forehead stopped—
And wandered in my Face—

My Feet kept drowsing—drowsing—still
My fingers were awake—
Yet why so little sound—Myself
Unto my Seeming—make?

How well I knew the Light before—
I could see it now—
'Tis Dying—I am doing—but
I'm not afraid to know—

The sun has set, and the long grass now
Waves dreamily in the evening wind;
And the wild bird has flown from that old gray stone
In some warm nook a couch to find.

In all the lonely landscape round
I see no light and hear no sound,
Except the wind that far away
Come sighing o'er the healthy sea.

Some day, when the golden glory
Of June is over the earth,
And the birds are singing together
In a wild, mad strain of mirth;
When the skies are as clear and cloudless
As the skies in June can be,
I would like to have the summons
Sent down from God to me.

Some glowing, golden morning
In the heart of the summer time,
As I stand in the perfect vigour
And strength of my youth's glad prime;
When my heart is light and happy,
And the word seems to bright to me,
I would like to dropp from this earth life,

THERE is a singing in the summer air,
The blue and brown moths flutter o’er the grass,
The stubble bird is creaking in the wheat,
And perch’d upon the honeysuckle-hedge
Pipes the green linnet. Oh, the golden world!
The stir of life on every blade of grass,
The motion and the joy on every bough,
The glad feast everywhere, for things that love
The sunshine, and for things that love the shade!

Aimlessly wandering with weary feet,
Watching the wool white clouds that wander by,
I come upon a lonely place of shade,—

goes by at 1:00 a.m. two nights of the week. I can
hear the feather whoosh of his machine and see
one red light.

I believe that the streetsweeper lives alone,
sleeping
through the cold days, waking clear-eyed and deft
as the sun goes down.

I believe that he works steadily without a portable
radio or a reading light or a nap. When he pauses
it is to stare placidly into
the potent night.

For reasons too numerous to mention, I think
about the
streetsweeper often and about the singular,
provident

What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?

Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know--
Murmuring with curls all dabbled in thy flow
And washed lips rosy red?

He told it to thee there
Where thy voice hath a louder tone;

Other loves may sink and settle, other loves may loose and slack,
But I wander like a minstrel with a harp upon my back,
Though the harp be on my bosom, though I finger and I fret,
Still, my hope is all before me; for I cannot play it yet.

In your strings is hid a music that no hand hath e'er let fall,
In your soul is sealed a pleasure that you have not known at all;
Pleasure subtle as your spirit, strange and slender as your frame,
Fiercer than the pain that folds you, softer than your sorrow's name.