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The White Comrade

Under our curtain of fire,
Over the clotted clods,
We charged, to be withered, to reel
And despairingly wheel
When the bugles bade us retire
From the terrible odds.

As we ebbed with the battle-tide,
Fingers of red-hot steel
Suddenly closed on my side.
I fell, and began to pray.
I crawled on my hands and lay
Where a shallow crater yawned wide;
Then I swooned. . . .

When I woke, it was yet day.
Fierce was the pain of my wound,
But I saw it was death to stir,
For fifty paces away

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The Whip

The doubt you fought so long
The cynic net you cast,
The tyranny, the wrong,
The ruin, they are past;
And here you are at last,
Your blood no longer vexed.
The coffin has you fast,
The clod will have you next.

But fear you not the clod,
Nor ever doubt the grave:
The roses and the sod
Will not forswear the wave.
The gift the river gave
Is now but theirs to cover:
The mistress and the slave
Are gone now, and the lover.

You left the two to find
Their own way to the brink

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The Weed

I dreamed that dead, and meditating,
I lay upon a grave, or bed,
(at least, some cold and close-built bower).
In the cold heart, its final thought
stood frozen, drawn immense and clear,
stiff and idle as I was there;
and we remained unchanged together
for a year, a minute, an hour.
Suddenly there was a motion,
as startling, there, to every sense
as an explosion. Then it dropped
to insistent, cautious creeping
in the region of the heart,
prodding me from desperate sleep.
I raised my head. A slight young weed

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The Wee Shop

She risked her all, they told me, bravely sinking
The pinched economies of thirty years;
And there the little shop was, meek and shrinking,
The sum of all her dreams and hopes and fears.
Ere it was opened I would see them in it,
The gray-haired dame, the daughter with her crutch;
So fond, so happy, hoarding every minute,
Like artists, for the final tender touch.

The opening day! I'm sure that to their seeming
Was never shop so wonderful as theirs;
With pyramids of jam-jars rubbed to gleaming;
Such vivid cans of peaches, prunes and pears;

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The Wedding Night

Within the chamber, far away

From the glad feast, sits Love in dread
Lest guests disturb, in wanton play,

The silence of the bridal bed.
His torch's pale flame serves to gild

The scene with mystic sacred glow;
The room with incense-clouds is fil'd,

That ye may perfect rapture know.

How beats thy heart, when thou dost hear

The chime that warns thy guests to fly!
How glow'st thou for those lips so dear,

That soon are mute, and nought deny!
With her into the holy place

Thou hast'nest then, to perfect all;

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The Weary Blues

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway ....
He did a lazy sway ....
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man's soul.
O Blues!

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The Weakness

That time my grandmother dragged me
through the perfume aisles at Saks, she held me up
by my arm, hissing, "Stand up,"
through clenched teeth, her eyes
bright as a dog's
cornered in the light.
She said it over and over,
as if she were Jesus,
and I were dead.She had been
solid as a tree,
a fur around her neck, a
light-skinned matron whose car was parked, who walked
on swirling
marble and passed through
brass openings--in 1945.
There was not even a black
elevator operator at Saks.
The saleswoman had brought velvet

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The Wayfarers

Is it the hour? We leave this resting-place
Made fair by one another for a while.
Now, for a god-speed, one last mad embrace;
The long road then, unlit by your faint smile.
Ah! the long road! and you so far away!
Oh, I’ll remember! but … each crawling day
Will pale a little your scarlet lips, each mile
Dull the dear pain of your remembered face.

…Do you think there’s a far border town, somewhere,
The desert’s edge, last of the lands we know,
Some gaunt eventual limit of our light,
In which I’ll find you waiting; and we’ll go

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The Water's Chant

Seven years ago I went into
the High Sierras stunned by the desire
to die. For hours I stared into a clear
mountain stream that fell down
over speckled rocks, and then I
closed my eyes and prayed that when
I opened them I would be gone
and somewhere a purple and golden
thistle would overflow with light.
I had not prayed since I was a child
and at first I felt foolish saying
the name of God, and then it became
another word. All the while
I could hear the water's chant
below my voice. At last I opened

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The War Of Inis-Thona

Reflections on the poet's youth. An apostrophe to Selma. Oscar obtains leave to go to Inis-thona, an island of Scandinavia. The mournful story of Argon and Ruro, the two sons of the king of Inis-thona. Oscar revenges their death, and returns in triumph to Selma. A soliloquy by the poet himself.


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