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Sonnet LVII Like As the Lute

Like as the lute that joys or else dislikes
As in his art that plays upon the same,
So sounds my Muse according as she strikes
On my heart strings high tun'd unto her fame.
Her touch doth cause the warble of the sound
Which here I yield in lamentable wise,
A wailing descant on the sweetest ground,
Whose due reports give honor to her eyes.
Else harsh my style, untunable my Muse,
Hoarse sounds the voice that praiseth not her name;
If any pleasing relish here I use,
Then judge the world her beauty gives the same.

Sonnet LIII Drawn

Drawn by th'attractive virtue of her eyes,
My touch'd heart turns it to that happy coast;
My joyful North, where all my fortune lies,
The level of my hopes desired most.
There where my Delia , fairer than the Sun,
Deckt with her youth whereon the world smileth,
Joys in that honor which her beauty won,
Th'eternal volume which her fame compileth.
Flourish, fair Albion, glory of the North,
Neptune's darling held between his arms,
Divided from the world as better worth,
Kept for himself, defended from all harms.

Sonnet III Taking My Pen

Taking my pen, with words to cast my woe,
Duly to count the sum of all my cares,
I find my griefs innumerable grow,
The reckonings rise to millions of despairs;
And thus dividing of my fatal hours,
The payments of my love I read and cross,
Subtracting, set my sweets unto my sours,
My joy's arrearage leads me to my loss;
And thus mine eye's a debtor to thine eye,
Which by extortion gaineth all their looks;
My heart hath paid such grievous usury
That all their wealth lies in thy beauty's books,

Sonnet III To the Virgin Mary

Unequalled Virgin, the second ornament
Of the human race, whose dignity has not diminished
Her humility, nor has humility lessened her generosity of heart,
O rare Mother of her own Creator!

You have crushed the head of the serpent whose venom
Has poisoned the entire world.
You assumed your place in Heaven above the angels' choir
And there, glorified, you partake of eternal joy.

For our souls you are like a moon
Which reflects the rays of eternal
Charity, as our grievous sinfulness

Descends on us like a night's dark shadow.

Sonnet II High on a Rock

High on a rock, coaeval with the skies,
A Temple stands, rear'd by immortal pow'rs
To Chastity divine! ambrosial flow'rs
Twining round icicles, in columns rise,
Mingling with pendent gems of orient dyes!
Piercing the air, a golden crescent tow'rs,
Veil'd by transparent clouds; while smiling hours
Shake from their varying wings--celestial joys!
The steps of spotless marble, scatter'd o'er
With deathless roses arm'd with many a thorn,
Lead to the altar. On the frozen floor,
Studded with tear-drops petrified by scorn,

Sonnet I Favour'd by Heav'n

Favour'd by Heav'n are those, ordain'd to taste
The bliss supreme that kindles fancy's fire;
Whose magic fingers sweep the muses' lyre,
In varying cadence, eloquently chaste!
Well may the mind, with tuneful numbers grac'd,
To Fame's immortal attributes aspire,
Above the treach'rous spells of low desire,
That wound the sense, by vulgar joys debas'd.
For thou, blest POESY! with godlike pow'rs
To calm the miseries of man wert giv'n;
When passion rends, and hopeless love devours,
By mem'ry goaded, and by frenzy driv'n,

Sonnet 91 Some glory in their birth, some in their skill

Some glory in their birth, some in their skill,
Some in their wealth, some in their body's force,
Some in their garments though new-fangled ill,
Some in their hawks and hounds, some in their horse;
And every humour hath his adjunct pleasure,
Wherein it finds a joy above the rest,
But these particulars are not my measure;
All these I better in one general best.
Thy love is better than high birth to me,
Richer than wealth, prouder than garments' costs,
Of more delight than hawks and horses be;
And having thee, of all men's pride I boast—

Sonnet 8 Music to hear, why hear'st thou music sadly

Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy.
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tunèd sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering,
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing;

Sonnet 54

Of this worlds theatre in which we stay,
My love like the spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a tragedy.
Yet she, beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughs and hardens evermore her heart.
What then can move her? if nor merth nor mone,

Sonnet 50 How heavy do I journey on the way

How heavy do I journey on the way,
When what I seek, my weary travel's end,
Doth teach that case and that repose to say,
"Thus far the miles are measured from thy friend!"
The beast that bears me, tired with my woe,
Plods dully on, to bear that weight in me,
As if by some instinct the wretch did know
His rider loved not speed being made from thee.
The bloody spur cannot provoke him on
That sometimes anger thrusts into his hide,
Which heavily he answers with a groan,
More sharp to me than spurring to his side;