A poem moves forward,
Like the passages and percussions of trains in progress
A pattern of recurrence, a hammer of repetetiveoccurrence

a slow less and less heard
low thunder under all passengers

Steel sounds tripping and tripled and
Grinding, revolving, gripping, turning, and returning
as the flung carpet of the wide countryside spreads out on
each side in billows

And in isolation, rolled out, white house, red barn, squat silo,
Pasture, hill, meadow and woodland pasture
And the striped poles step fast past the train windows

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Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet

Remember the days of our first happiness,
how strong we were, how dazed by passion,
lying all day, then all night in the narrow bed,
sleeping there, eating there too: it was summer,
it seemed everything had ripened
at once. And so hot we lay completely uncovered.
Sometimes the wind rose; a willow brushed the window.

But we were lost in a way, didn't you feel that?
The bed was like a raft; I felt us drifting
far from our natures, toward a place where we'd discover nothing.
First the sun, then the moon, in fragments,

Peace is happiness, but war is our plight
Under the heavens. He -- prince of the night,
Severe captain-- and the World's vanity
Work for our corruption diligently.


Not enough is this, mighty Lord of all!
The Body, our home for fleeting pleasures,
Envies heedlessly the Spirit's treasures
Constantly craving our eternal fall.


How shall I wage a battle so terrible,
Frail, yet headstrong, a soul in isolation?
King Universal, Peace most veritable,
In Thee alone is hope of my salvation!

So here the great man stood,
fermenting malice and poems
we have to be nearly as fierce
against ourselves as he
not to misread by their disguises.
Blue in dawn haze, the tamarack
across the road is new since Frost
and thirty feet tall already.
No doubt he liked to scorch off
morning fog by simply staring through it
long enough so that what he saw
grew visible. "Watching the dragon
come out of the Notch," his children
used to call it. And no wonder
he chose a climate whose winter
and house whose isolation could be

Man lives alone; star-like, each soul
   In its own orbit circles ever;
Myriads may by or round it roll --
   The ways may meet, but mingle never.

Self-pois'd, each soul its course pursues
   In light or dark, companionless:
Drop into drop may blend the dews --
   The spirit's law is loneliness.

If seemingly two souls unite,
   'Tis but as joins yon silent mere
The stream that through it, flashing bright,

Not of desire alone is music born,
Not till the Muse wills is our passion crowned;
Unsought she comes; if sought, but seldom found,
Repaying thus our longing with her scorn.
Hence is it poets often are forlorn,
In super-subtle chains of silence bound,
And mid the crowds that compass them around
Still dwell in isolation night and morn,
With knitted brow and cheek all passion-pale
Showing the baffled purpose of the mind.
Hence is it I, that find no prayers avail
To move my Lyric mistress to be kind,

The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that "this is I":
But as he grows he gathers much,
And learns the use of "I," and "me,"
And finds "I am not what I see,
And other than the things I touch."
So rounds he to a separate mind
From whence clear memory may begin,
As thro' the frame that binds him in
His isolation grows defined.

This use may lie in blood and breath