The summer morn is bright and fresh, the birds are darting by,
As if they loved to breast the breeze that sweeps the cool dear sky;
Young Albert, in the forest's edge, has heard a rustling sound
An arrow slightly strikes his hand and falls upon the ground.

A lovely woman from the wood comes suddenly in sight;
Her merry eye is full and black, her cheek is brown and bright;
She wears a tunic of the blue, her belt with beads is strung,
And yet she speaks in gentle tones, and in the English tongue.

But therewith the sun rose upward and lightened all the earth,
And the light flashed up to the heavens from the rims of the glorious girth;
But they twain arose together, and with both her palms outspread,
And bathed in the light returning, she cried aloud and said:
"All hail, O Day and thy Sons, and thy kin of the coloured things!
Hail, following Night, and thy Daughter that leadeth thy wavering wings!
Look down With unangry eyes on us today alive,
And give us the hearts victorious, and the gain for which we strive!

When we are dead, some Hunting-boy will pass
And find a stone half-hidden in tall grass
And grey with age: but having seen that stone
(Which was your image), ride more slowly on.

Weary and listless, sad and slow,
Without any conversation,
Was a man that worked on The Overflow,
The butt of the shed and the station.

The shearers christened him Noisy Ned,
With an alias "Silent Waters",
But never a needless word he said
In the hut or the shearers' quarters.

Which caused annoyance to Big Barcoo,
The shed's unquestioned ringer,
Whose name was famous Australia through
As a dancer, fighter and singer.

He was fit for the ring, if he'd had his rights
As an agent of devastation;

...
Such speech they chang'd; when in the yard there lay
A dog, call'd Argus, which, before his way
Assum'd for Ilion, Ulysses bred,
Yet stood his pleasure then in little stead,
As being too young; but, growing to his grace,
Young men made choice of him for every chace,
Or of their wild goats, of their hares, or harts.
But his king gone, and he, now past his parts,
Lay all abjectly on the stable's store,
Before the oxstall, and mules' stable door,
To keep the clothes cast from the peasants' hands,

JANUS
Chronos, Chronos, mend thy pace,
An hundred times the rolling sun
Around the radiant belt has run
In his revolving race.
Behold, behold, the goal in sight,
Spread thy fans, and wing thy flight.

Enter CHRONOS, with a scythe in his hand, and a great globe on his back,
which he sets down at his entrance

CHRONOS
Weary, weary of my weight,
Let me, let me drop my freight,
And leave the world behind.
I could not bear
Another year
The load of human-kind.

We have all of us read how the Israelites fled
From Egypt with Pharaoh in eager pursuit of 'em,
And Pharaoh's fierce troop were all put "in the soup"
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had"
That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo --
Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears
In deserts with never a famine to follow by,
The Israelite horde went roaming abroad

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hark to the pace -horn, chase -horn, race -horn.

Prehistoric


Twenty bridges from Tower to Kew--
(Twenty bridges or twenty-two)--
Wanted to know what the River knew,
For they were young, and the Thames was old
And this is the tale that River told:--

"I walk my beat before London Town,
Five hours up and seven down.
Up I go till I end my run
At Tide-end-town, which is Teddington.
Down I come with the mud in my hands
And plaster it over the Maplin Sands.
But I'd have you know that these waters of mine
Were once a branch of the River Rhine,

All profits disappear: the gain
Of ease, the hoarded, secret sum;
And now grim digits of old pain
Return to litter up our home.

We hunt the cause of ruin, add,
Subtract, and put ourselves in pawn;
For all our scratching on the pad,
We cannot trace the error down.

What we are seeking is a fare
One way, a chance to be secure:
The lack that keeps us what we are,
The penny that usurps the poor.