As I stood upon the sandy beach
One morn near Pentland Ferry,
I saw a beautiful brigantine,
And all her crew seem'd merry.

When lo! the wind began to howl,
And the clouds began to frown,
And in the twinkling of an eye
The rain came pouring down.

Then the sea began to swell,
And seem'd like mountains high,
And the sailors on board that brigantine
To God for help did loudly cry.

Oh! it was an awful sight
To see them struggling with all their might,
And Imploring God their lives to save

THE world is too much with us; late and soon,
   Getting and spending, we lay waste our powers:
   Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This sea that bares her bosom to the moon;
   The winds that will be howling at all hours,
   And are up-gather'd now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
   A Pagan suckled in a creed outworn;

Like a grey shadow lurking in the light,
He ventures forth along the edge of night;
With silent foot he scouts the coulie's rim
And scents the carrion awaiting him.
His savage eyeballs lurid with a flare
Seen but in unfed beasts which leave their lair
To wrangle with their fellows for a meal
Of bones ill-covered. Sets he forth to steal,
To search and snarl and forage hungrily;
A worthless prairie vagabond is he.
Luckless the settler's heifer which astray
Falls to his fangs and violence a prey;

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--

He shouts in the sails of the ships at sea,
He steals the down from the honeybee,
He makes the forest trees rustle and sing,
He twirls my kite till it breaks its string.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.
He calls up the fog and hides the hills,
He whirls the wings of the great windmills,
The weathercocks love him and turn to discover
His whereabouts -- but he's gone, the rover!
Laughing, dancing, sunny wind,

Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

A vine from noblest lineage sprung
And with the choicest clusters hung,
In purple rob'd, reclining lay,
And catch'd the noontide's fervid ray;
The num'rous plants that deck the field
Did all the palm of beauty yield;
Pronounc'd her fairest of their train
And hail'd her empress of the plain.
A neighb'ring oak whose spiry height
In low-hung clouds was hid from sight,
Who dar'd a thousand howling storms;
Conscious of worth, sublimely stood,
The pride and glory of the wood.

He saw her all defenseless lay

Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.

From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's-no-he's the Leiermann's best friend,

Or would be if hearing and listening were the same.
Does he hear? I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
'Les jets d'eau du palais de ceux qui s'aiment.'

It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.

There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.

We have always thought 'em lazy;

A Dramatic Sketch


A Forest. Night.


Alone, amidst the interminable forest!—
Where shall I seek for aid! my weary limbs,
Torn by the briars, and wasted with fatigue,
Refuse to bear me further.
Horrid night!
Black, rayless, midnight reigns; and the thick dew
Distils its baleful drops upon my head.


And, hark! the topmost branches of the trees,
With dismal moan, now louder and more near,
Shake in the rushing wind! It comes, it comes!—