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The Sacrifice Of Iphigenia

Now long and long from wintry Strymon blew
The weary, hungry, anchor-straining blasts,
The winds that wandering seamen dearly rue,
Nor spared the cables worn and groaning masts;
And, lingering on, in indolent delay,
Slow wasted all the strength of Greece away.
But when the shrill-voiced prophet 'gan proclaim
That remedy more dismal and more dread
Than the drear weather blackening overhead,
And spoke in Artemis' most awful name,
The sons of Atreus, 'mid their armed peers,
Their sceptres dashed to earth, and each broke out in tears,

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The Russian Fugitive

I

ENOUGH of rose-bud lips, and eyes
Like harebells bathed in dew,
Of cheek that with carnation vies,
And veins of violet hue;
Earth wants not beauty that may scorn
A likening to frail flowers;
Yea, to the stars, if they were born
For seasons and for hours.

Through Moscow's gates, with gold unbarred,
Stepped One at dead of night,
Whom such high beauty could not guard
From meditated blight;
By stealth she passed, and fled as fast
As doth the hunted fawn,

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The Runaway Slave at Pilgrim's Point

I.
I stand on the mark beside the shore
Of the first white pilgrim's bended knee,
Where exile turned to ancestor,
And God was thanked for liberty.
I have run through the night, my skin is as dark,
I bend my knee down on this mark . . .
I look on the sky and the sea.

II.
O pilgrim-souls, I speak to you!
I see you come out proud and slow
From the land of the spirits pale as dew. . .
And round me and round me ye go!
O pilgrims, I have gasped and run
All night long from the whips of one
Who in your names works sin and woe.

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The Room Beneath the Rafters

Sometimes when I have dropped asleep,
Draped in soft luxurious gloom,
Across my drowsy mind will creep
The memory of another room,
Where resinous knots in roofboards made
A frescoing of light and shade,
And sighing poplars brushed their leaves
Against the humbly sloping eaves.

Again I fancy in my dreams
I'm lying in my trundle-bed.
I seem to see the bare old beams
And unhewn rafters overhead;
The hornet's shrill falsetto hum
I hear again, and see him come
Forth from his mud-walled hanging house,

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The Roads Also

The roads also have their wistful rest,
When the weathercocks perch still and roost,
And the looks of men turn kind to clocks
And the trams go empty to their drome.
The streets also dream their dream.

The old houses muse of the old days
And their fond trees leaning on them doze.
On their steps chatter and clatter stops
For the cries of other times hold men
And they hear the unknown moan.

They remember alien ardours and far futures
And the smiles not seen in happy features.
Their begetters call them from the gutters;

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The River Of Bees

In a dream I returned to the river of bees
Five orange trees by the bridge and
Beside two mills my house
Into whose courtyard a blind man followed
The goats and stood singing
Of what was older

Soon it will be fifteen years

He was old he will have fallen into his eyes

I took my eyes
A long way to the calenders
Room after room asking how shall I live

One of the ends is made of streets
One man processions carry through it
Empty bottles their
Images of hope
It was offered to me by name

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The River

In my first sleep
I came to the river
And looked down
Through the clear water -
Only in dream
Water so pure,
Laced and undulant
Lines of flow
On its rocky bed
Water of life
Streaming for ever.

A house was there
Beside the river
And I, arrived,
An expected guest
About to explore
Old gardens and libraries -
But the car was waiting
To drive me away.

One last look
Into that bright stream -
Trout there were
And clear on the bottom
Monster form
Of the great crayfish

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The Reward of Merit

DR. BELVILLE was regarded as the CRICHTON of his age:
His tragedies were reckoned much too thoughtful for the stage;
His poems held a noble rank, although it's very true
That, being very proper, they were read by very few.
He was a famous Painter, too, and shone upon the "line,"
And even MR. RUSKIN came and worshipped at his shrine;
But, alas, the school he followed was heroically high -
The kind of Art men rave about, but very seldom buy;
And everybody said
"How can he be repaid -
This very great - this very good - this very gifted man?"

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The Revolutionary

Look at them standing there in authority
The pale-faces,
As if it could have any effect any more.

Pale-face authority,
Caryatids,
Pillars of white bronze standing rigid, lest the skies fall.

What a job they've got to keep it up.
Their poor, idealist foreheads naked capitals
To the entablature of clouded heaven.

When the skies are going to fall, fall they will
In a great chute and rush of débâcle downwards.

Oh and I wish the high and super-gothic heavens would come down now,

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The Reverend Simon Magus

A rich advowson, highly prized,
For private sale was advertised;
And many a parson made a bid;
The REVEREND SIMON MAGUS did.

He sought the agent's: "Agent, I
Have come prepared at once to buy
(If your demand is not too big)
The Cure of Otium-cum-Digge."

"Ah!" said the agent, "THERE'S a berth -
The snuggest vicarage on earth;
No sort of duty (so I hear),
And fifteen hundred pounds a year!

"If on the price we should agree,
The living soon will vacant be;
The good incumbent's ninety five,

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