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The Shadow of God

To Mohács
in the marshlands, still in the pouring rain,
August 29th, 1526, where those summoned
and hastily gathered died in thousands
in the space of a moment the chronicler
scribbles, in the safety of distance,
cruel panthers in a moment to hell's pit.
That day the guns chained wheel to wheel,
smoke and the cries of men and horses,
the knights shot from their saddles, armour
dragging them into the mire, the hooves
stamping them in, the infantry butchered,
in the space of a moment the swift
routine of retreat, slaughter and rout,

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The Sense Of Your Bidding

The sense of your bidding is unclear:
to pray, to curse, is it, to fight
you bid me, inscrutable genius?
The spring slackens, niggard, meager,
and Benozzo Gozzoli's courier
dozes in the drowsy thickets.

Hills are dark with honeyed cloud.
Look: I do not touch lithe strings.
Your gaze, prophetically flying,
is clenched, gushes no winged streams,
and beckons by no May road, trying
to outstrip Hermes in his flight.

Hobbled horses do not neigh,
Aging warriors sprawl in disarray...
Hold your palms open wide!

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The Secret of the Machines

Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!

We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,
We can run and race and swim and fly and dive,

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The Secret of the Machinery

Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!

We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,

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The Sash

The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—
each time, she sewed them back on with

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The Rule of the A.J.C

Come all ye bold trainers attend to my song,
It's a rule of the A.J.C.
You mustn't train ponies, for that's very wrong
By the rules of the A.J.C.
You have to wear winkers when crossing the street,
For fear that a pony you'd happen to meet
If you hear one about, you must beat a retreat --
That's a rule of the A.J.C.
And all ye bold owners will find without fail
By the rules of the A.J.C.
The jockey boys' fees you must pay at the scale --
It's a rule of the A.J.C.
When your horse wins a fiver, you'll laugh, I'll be bound,

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The Road to Hogan's Gap

Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.

Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.

But keep the crick upon your right,
And follow pretty straight

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The River-Merchant's Wife A Letter

After Li Po

While my hair was still cut straight
across my forehead
I played at the front gate, pulling
flowers.
You came by on bamboo stilts, playing
horse,
You walked about my seat, playing with
blue plums.
And we went on living in the village of
Chokan:
Two small people, without dislike or
suspicion.

At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never
looked back.

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The Ride to Melrose, from The Lay of the Last Minstrel

CANTO I.XIX.
The Lady sought the lofty hall,
Where many a bold retainer lay,
And with jocund din among them all,
Her son pursued his infant play.
A fancied moss-trooper, the boy
The truncheon of a spear bestrode,
And round the hall right merrily
In mimic foray rode.
Even bearded knights, in arms grown old,
Share in his frolic gambols bore,
Albeit their hearts of rugged mould
Were stubborn as the steel they wore.
For the gray warriors prophesied

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The Ride

The horse beneath me seemed
To know what course to steer
Through the horror of snow I dreamed,
And so I had no fear,

Nor was I chilled to death
By the wind’s white shudders, thanks
To the veils of his patient breath
And the mist of sweat from his flanks.

It seemed that all night through,
Within my hand no rein
And nothing in my view
But the pillar of his mane,

I rode with magic ease
At a quick, unstumbling trot
Through shattering vacancies
On into what was not,

Till the weave of the storm grew thin,

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