As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed the angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.

The blizzard felled the elm whose crest

Did you ever see an alligator
Come up to the air from the mud,
Staring blindly under the full glare of noon?
Have you seen the stabled horses at night
Tremble and start back at the sight of a lantern?
Have you ever walked in darkness
When an unknown door was open before you
And you stood, it seemed, in the light of a thousand candles
Of delicate wax?
Have you walked with the wind in your ears
And the sunlight about you
And found it suddenly shine with an inner splendor?
Out of the mud many times,
Before many doors of light,

washed-up, on shore, the old yellow notebook
out again
I write from the bed
as I did last
year.
will see the doctor,
Monday.
"yes, doctor, weak legs, vertigo, head-
aches and my back
hurts."
"are you drinking?" he will ask.
"are you getting your
exercise, your
vitamins?"
I think that I am just ill
with life, the same stale yet
fluctuating
factors.
even at the track
I watch the horses run by
and it seems
meaningless.
I leave early after buying tickets on the
remaining races.

Nothing is given which is not taken.

Little or nothing is taken which is not freely desired,
freely, truly and fully.

"You would not seek me if you had not found me": this is
true of all that is supremely desired and admired...

"An enigma is an animal," said the hurried, harried
schoolboy:

And a horse divided against itself cannot stand;

And a moron is a man who believes in having too many
wives: what harm is there in that?

O the endless fecundity of poetry is equaled

What did I do, sonny, in the Great World War?
Well, I learned to peel potatoes and to scrub the barrack floor.
I learned to push a barrow and I learned to swing a pick,
I learned to turn my toes out, and to make my eyeballs click.
I learned the road to Folkestone, and I watched the English shore,
Go down behind the skyline, as I thought, for evermore.
And the Blighty boats went by us and the harbour hove in sight,
And they landed us and sorted us and marched us "by the right".
"Quick march!" across the cobbles, by the kids who rang along

A delicate young Negro stands
With the reins of a horse clutched loosely in his hands;
So delicate, indeed, that we wonder if he can hold the spirited creature
beside him
Until the master shall arrive to ride him.
Already the animal's nostrils widen with rage or fear.
But if we imagine him snorting, about to rear,
This boy, who should know about such things better than we,
Only stands smiling, passive and ornamental, in a fantastic livery
Of ruffles and puffed breeches,
Watching the artist, apparently, as he sketches.

It was a time when they were afraid of him.
My father, a bare man, a gypsy, a horse
with broken knees no one would shoot.
Then again, he was like the orange tree,
and young women plucked from him sweet fruit.
To meet him, you must be in the right place,
even his sons and daughter, we wondered
where was papa now and what was he doing.
He held the mystique of travelers
that pass your backyard and disappear into the trees.
Then, when you follow, you find nothing,
not a stir, not a twig displaced from its bough.

The brow of a horse in that moment when
The horse is drinking water so deeply from a trough
It seems to inhale the water, is holy.

I refuse to explain.

When the horse had gone the water in the trough,
All through the empty summer,

Went on reflecting clouds & stars.

The horse cropping grass in a field,
And the fly buzzing around its eyes, are more real
Than the mist in one corner of the field.

Or the angel hidden in the mist, for that matter.

Members of the Committee on the Ineffable,

(March 4, 1913)


Thine aid, O Muse, I consciously beseech;
I crave thy succour, ask for thine assistance
That men may cry: "Some little ode! A peach!"
O Muse, grant me the strength to go the distance!
For odes, I learn, are dithyrambs, and long;
Exalted feeling, dignity of theme
And complicated structure guide the song.
(All this from Webster's book of high esteem.)

Let complicated structures not becloud
My lucid lines, nor weight with overloading.
To Shelley, Keats, and Wordsworth and that crowd

Holding with shaking hands a letter from some
Official – high up he says in the Ministry,
I note that I am invited to Birmingham,
There pedagogues to address for a decent fee.
'We like to meet,' he goes on, 'men eminent
In the field of letters each year,' and that's well put,
Though I find his words not wholly relevant
To this red-eyed fellow whose mouth tastes rank as soot.
No doubt what he's thinking of is poetry
When 'Thomas Blackburn' he writes, and not the fuss
A life makes when it has no symmetry,