Little thinks, in the field, yon red-cloaked clown,
Of thee, from the hill-top looking down;
And the heifer, that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The sexton tolling the bell at noon,
Dreams not that great Napoleon
Stops his horse, and lists with delight,
Whilst his files sweep round yon Alpine height;
Nor knowest thou what argument
Thy life to thy neighbor's creed has lent:
All are needed by each one,
Nothing is fair or good alone.

I thought the sparrow's note from heaven,

Too far away, oh love, I know,
To save me from this haunted road,
Whose lofty roses break and blow
On a night-sky bent with a load

Of lights: each solitary rose,
Each arc-lamp golden does expose
Ghost beyond ghost of a blossom, shows
Night blenched with a thousand snows.

Of hawthorn and of lilac trees,
White lilac; shows discoloured night
Dripping with all the golden lees
Laburnum gives back to light.

And shows the red of hawthorn set
On high to the purple heaven of night,

665

Dropped into the Ether Acre—
Wearing the Sod Gown—
Bonnet of Everlasting Laces—
Brooch—frozen on—

Horses of Blonde—and Coach of Silver—
Baggage a strapped Pearl—
Journey of Down—and Whip of Diamond—
Riding to meet the Earl—

Settle home in person place
But no cart horse noise
Ask gentleman how able so
Heart far place self partial
Pluck chrysanthemum east hedge down
Leisurely look south mountain
Mountain air day night beautiful
Fly birds together return
This here have clear meaning
Wish argue already neglect speech

Hark, the sound of it drawing nearer,
Clink of hobble and brazen bell;
Mark the passage of stalwart shearer,
Bidding Monaro soil farewell.

Where is he making for? Down the river,
Down the river with eager tread;
Where is he making for? Down the river,
Down the river to seek a 'shed'.

Where is his dwelling on old Monaro?
Buckley's Crossing, or Jindaboine?
Dry Plain is it, or sweet Bolaira?
P'raps 'tis near where the rivers join
Where is he making for? Down the river.
When, oh when, will he turn him back?

Don't let that horse
eat that violin

cried Chagall's mother

But he
kept right on
painting

And became famous

And kept on painting
The Horse With Violin In Mouth

And when he finally finished it
he jumped up upon the horse
and rode away
waving the violin

And then with a low bow gave it

The knight of immortal youth
at the age of fifty found his mind in his heart
and on July morning went out to capture
the right, the beautiful, the just.

Facing him a world of silly and arrogant giants,
he on his sad but brave Rocinante.
I know what it means to be longing for something,
but if your heart weighs only a pound and sixteen ounces,
there's no sense, my Don, in fighting these senseless windmills.

But you are right, of course, Dulcinea is your woman,
the most beautiful in the world;
I'm sure you'll shout this fact

I. (Bread and Music)

Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.

Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, belovèd,
And yet your touch upon them will not pass.

For it was in my heart you moved among them,
And blessed them with your hands and with your eyes;

We have another viceroy now, -- those days are dead and done
Of Delilah Aberyswith and depraved Ulysses Gunne.


Delilah Aberyswith was a lady -- not too young --
With a perfect taste in dresses and a badly-bitted tongue,
With a thirst for information, and a greater thirst for praise,
And a little house in Simla in the Prehistoric Days.

By reason of her marriage to a gentleman in power,
Delilah was acquainted with the gossip of the hour;
And many little secrets, of the half-official kind,

What is yonder white thing in the forest?
Is it snow, or can it swans perchance be?
Were it snow, ere this it had been melted,
Were it swans, they all away had hastend.
Snow, in truth, it is not, swans it is not,
'Tis the shining tents of Asan Aga.
He within is lying, sorely wounded;
To him come his mother and his sister;
Bashfully his wife delays to come there.
When the torment of his wounds had lessen'd,
To his faithful wife he sent this message:
"At my court no longer dare to tarry,
At my court, or e'en amongst my people."