Like undistinguishable horses,
Gleam by my ever-painful days,
As if fade all the living roses,
And die all living nightingales.

But she is, too, upset and saddened,
My single governess – my love,
And under her skin of a satin,
The poisoned blood is now moved.

And if I stand the world I live in,
That is because I have a dream:
Both of us, like two blind children,
Will go to the highland’s rims,

Where clouds are so white and close,
Where only goats run the dales,
To seek forever faded roses,

1
I carved your name on my watchband
with my fingernail.
Where I am, you know,
I don't have a pearl-handled jackknife
(they won't give me anything sharp)
or a plane tree with its head in the clouds.
Trees may grow in the yard,
but I'm not allowed
to see the sky overhead...
How many others are in this place?
I don't know.
I'm alone far from them,
they're all together far from me.
To talk anyone besides myself
is forbidden.
So I talk to myself.

It is done!
Clang of bell and roar of gun
Send the tidings up and down.
How the belfries rock and reel!
How the great guns, peal on peal,
Fling the joy from town to town!

Ring, O bells!
Every stroke exulting tells
Of the burial hour of crime.
Loud and long, that all may hear,
Ring for every listening ear
Of Eternity and Time!

Let us kneel:
God's own voice is in that peal,
And this spot is holy ground.
Lord, forgive us! What are we
That our eyes this glory see,
That our ears have heard this sound!

Oh, the new-chum went to the backblock run,
But he should have gone there last week.
He tramped ten miles with a loaded gun,
But of turkey of duck saw never a one,
For he should have been there last week,
They said,
There were flocks of 'em there last week.
He wended his way to a waterfall,
And he should have gone there last week.
He carried a camera, legs and all,
But the day was hot and the stream was small,
For he should have gone there last week,
They said,
They drowned a man there last week.

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,

1. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up

The Western sun, ere he sought his lair,
Skimm’d the treetops, and glancing thence,
Rested awhile on the curling hair
Of Kitty McCrae, by the boundary fence;
Her eyes looked anxious, her cheeks were pale,
For father was two hours late with the mail.

Never before had he been so late,
And Kitty wondered and wished him back,
Leaning athwart the big swing gate
That opens out on the bridle-track,
A tortuous path that sidled down

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
The housewife is writing her poem
On top of the frigidaire
Something like this:

    'Hear in the kitchen
    The crows fly home
    Into the red-robed trees
    That walk across the sky.

    Hear under the floor
    The three fountains rising and
    Trickling through the bridge