I am Ojistoh, I am she, the wife
Of him whose name breathes bravery and life
And courage to the tribe that calls him chief.
I am Ojistoh, his white star, and he
Is land, and lake, and sky--and soul to me.

Ah! but they hated him, those Huron braves,
Him who had flung their warriors into graves,
Him who had crushed them underneath his heel
Whose arm was iron, and whose heart was steel
To all--save me, Ojistoh, chosen wife
Of my great Mohawk, white star of his life.

Ah! but they hated him, and councilled long

Though loth to grieve
The evil time's sole patriot,
I cannot leave
My buried thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politique,
Which at the best is trick,
The angry muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blind worm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife.

Or who, with accent bolder,
Dare praise the freedom-loving mountaineer,

Welcome, wild Northeaster!
Shame it is to see
Odes to every zephyr;
Ne'er a verse to thee.
Welcome, black Northeaster!
O'er the German foam;
O'er the Danish moorlands,
From thy frozen home.
Tired are we of summer,
Tired of gaudy glare,
Showers soft and steaming,
Hot and breathless air.
Tired of listless dreaming,
Through the lazy day--
Jovial wind of winter
Turn us out to play!
Sweep the golden reed-beds;
Crisp the lazy dike;
Hunger into madness
Every plunging pike.

Fair stood the wind for France,
When we our sails advance;
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train
Landed King Harry.

And taking many a fort,
Furnish'd in warlike sort,
Marcheth towards Agincourt
In happy hour;
Skirmishing day by day
With those that stopp'd his way,
Where the French gen'ral lay
With all his power.

Which, in his height of pride,
King Henry to deride,

O parent of each lovely Muse,
Thy spirit o'er my soul diffuse,
O'er all my artless songs preside,
My footsteps to thy temple guide.
To offer at thy turf-built shrine,
In golden cups no costly wine,
No murder'd fatling of the flock,
But flowers and honey from the rock.
O Nymph with loosely-flowing hair,
With buskin'd leg, and bosom bare,
Thy waist with myrtle-girdle bound,
Thy brows with Indian feathers crown'd,
Waving in thy snowy hand
An all-commanding magic wand,
Of pow'r to bid fresh gardens blow,

Inscribed to W.H. Channing


Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honeyed thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politic,
Which at the best is trick,
The angry Muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blindworm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife!

Or who, with accent bolder

(Robert Frost, 1875-1963)


Whose wood this is I think I know:
He made it sacred long ago:
He will expect me, far or near
To watch that wood immense with snow.

That famous horse must feel great fear
Now that his noble rider's no longer here:
He gives his harness bells to rhyme
--Perhaps he will be back, in time?

All woulds were promises he kept
Throughout the night when others slept:
Now that he knows all that he did not know,
His wood is holy, and full of snow,
and all the beauty he made holy long long ago

Zut! it's two o'clock.
See! the lights are jumping.
Finish up your bock,
Time we all were humping.
Waiters stack the chairs,
Pile them on the tables;
Let us to our lairs
Underneath the gables.

Up the old Boul' Mich'
Climb with steps erratic.
Steady . . . how I wish
I was in my attic!
Full am I with cheer;
In my heart the joy stirs;
Couldn't be the beer,
Must have been the oysters.

In obscene array
Garbage cans spill over;
How I wish that they
Smelled as sweet as clover!
Charing women wait;

I'll settle for the 6 horse

A Load of brushes and baskets and cradles and chairs
Labours along the street in the rain:
With it a man, a woman, a pony with whiteybrown hairs. --
The man foots in front of the horse with a shambling sway
At a slower tread than a funeral train,
While to a dirge-like tune he chants his wares,
Swinging a Turk's-head brush (in a drum-major's way
When the bandsmen march and play).

A yard from the back of the man is the whiteybrown pony's nose:
He mirrors his master in every item of pace and pose:
He stops when the man stops, without being told,