I.

Forbear, thou great good husband, little ant;
A little respite from thy flood of sweat!
Thou, thine own horse and cart under this plant,
Thy spacious tent, fan thy prodigious heat;
Down with thy double load of that one grain!
It is a granarie for all thy train.

II.

Cease, large example of wise thrift, awhile
(For thy example is become our law),
And teach thy frowns a seasonable smile:
So Cato sometimes the nak'd Florals saw.
And thou, almighty foe, lay by thy sting,

Dear to my heart are the ancestral dwellings of America,
Dearer than if they were haunted by ghosts of royal splendour;
These are the homes that were built by the brave beginners of a nation,
They are simple enough to be great, and full of a friendly dignity.

I love the old white farmhouses nestled in New England valleys,
Ample and long and low, with elm-trees feathering over them:
Borders of box in the yard, and lilacs, and old-fashioned Howers,
A fan-light above the door, and little square panes in the windows,

Him goin' to ride for us! Him -- with the pants and the eyeglass and all.
Amateur! don't he just look it -- it's twenty to one on a fall.
Boss must be gone off his head to be sending out steeplechase crack
Out over fences like these with an object like that on his back.
Ride! Don't tell me he can ride. With his pants just as loose as balloons,
How can he sit on a horse? and his spurs like a pair of harpoons;
Ought to be under the Dog Act, he ought, and be kept off the course.
Fall! why, he'd fall off a cart, let alone off a steeplechase horse.

The Poles rode out from Warsaw against the German
Tanks on horses. Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at its best.
It was impossib1e, and with form. They rode in sunlight,
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.

Letters, letters, letters, letters!
Some that please and some that bore,
Some that threaten prison fetters
(Metaphorically, fetters
Such as bind insolvent debtors) -
Invitations by the score.

One from COGSON, WILES, and RAILER,
My attorneys, off the Strand;
One from COPPERBLOCK, my tailor -
My unreasonable tailor -
One in FLAGG'S disgusting hand.

One from EPHRAIM and MOSES,
Wanting coin without a doubt,
I should like to pull their noses -
Their uncompromising noses;
One from ALICE with the roses -

Heard a voice, that cried,
"Balder the Beautiful
Is dead, is dead!"
And through the misty air
Passed like the mournful cry
Of sunward sailing cranes.

I saw the pallid corpse
Of the dead sun
Borne through the Northern sky.
Blasts from Niffelheim
Lifted the sheeted mists
Around him as he passed.

And the voice forever cried,
"Balder the Beautiful
Is dead, is dead!"
And died away
Through the dreary night,
In accents of despair.

Balder the Beautiful,
God of the summer sun,

O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.

There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.

Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.

When she came to carterhaugh
Tam Lin was at the well,
And there she fand his steed standing,

Blue mountains to the north of the walls,
White river winding about them;
Here we must make separation
And go out through a thousand miles of dead grass.

Mind like a floating wide cloud,
Sunset like the parting of old acquaintances
Who bow over their clasped hands at a distance.
Our horses neigh to each others
as we are departing.

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.

sway with me, everything sad -
madmen in stone houses
without doors,
lepers steaming love and song
frogs trying to figure
the sky;
sway with me, sad things -
fingers split on a forge
old age like breakfast shell
used books, used people
used flowers, used love
I need you
I need you
I need you:
it has run away
like a horse or a dog,
dead or lost
or unforgiving.