Not done, but near its ending,
Is the work that our eyes desired;
Not yet fulfilled, but near the goal,
Is the hope that our worn hearts fired.
And on the Alban Mountains,
Where the blushes of dawn increase,
We see the flash of the beautiful feet
Of Freedom and of Peace!

How long were our fond dreams baffled!-
Novara's sad mischance,
The Kaiser's sword and fetter-lock,
And the traitor stab of France;
Till at last came glorious Venice,
In storm and tempest home;
And now God maddens the greedy kings,

I see the grass shake in the sun for leagues on either hand,
I see a river loop and run about a treeless land --
An empty plain, a steely pond, a distance diamond-clear,
And low blue naked hills beyond. And what is that to fear?"

"Go softly by that river-side or, when you would depart,
You'll find its every winding tied and knotted round your heart.
Be wary as the seasons pass, or you may ne'er outrun
The wind that sets that yellowed grass a-shiver 'neath the Sun."

I hear the summer storm outblown -- the drip of the grateful wheat.

The foaming stream from out the rock
With thunder roar begins to rush,--
The oak falls prostrate at the shock,
And mountain-wrecks attend the gush.
With rapturous awe, in wonder lost,
The wanderer hearkens to the sound;
From cliff to cliff he hears it tossed,
Yet knows not whither it is bound:
'Tis thus that song's bright waters pour
From sources never known before.

In union with those dreaded ones
That spin life's thread all-silently,
Who can resist the singer's tones?

Oh 'twas a poor country, in Autumn it was bare,
The only green was the cutting grass and the sheep found little there.
Oh, the thin wheat and the brown oats were never two foot high,
But down in the poor country no pauper was I.

My wealth it was the glow that lives forever in the young,
'Twas on the brown water, in the green leaves it hung.
The blue cranes fed their young all day - how far in a tall tree!
And the poor, poor country made no pauper of me.

I waded out to the swan's nest - at night I heard them sing,

Upbroke the sun
In red-gold foam;
Thus spoke the gun
At the Soldier's Home:

"Whenever I hear
Blue thunder speak
My voice sounds clear
But little and weak.

"And when the proud
Young cockerels crow
My voice sounds loud,
But gentle and low.

"When the mocking-bird
Prolongs his note
I cannot be heard
Though I split my throat."

The poet fears failure
& so she says
"Hold on pen--
what if the critics
hate me?"
& with that question
she blots out more lines
than any critic could.

The critic is only doing his job:
keeping the poet lonely.
He barks
like a dog at the door
when the master comes home.

It's in his doggy nature.
If he didn't know the poet
for the boss,
he wouldn't bark so loud.

& the poet?
It's in her nature
to fear failure
but not to let that fear
blot out

her lines.

O hour of my muse: why do you leave me,
Wounding me by the wingbeats of your flight?
Alone: what shall I use my mouth to utter?

How shall I pass my days? And how my nights?

I have no one to love. I have no home.
There is no center to sustain my life.
All things to which I give myself grow rich
and leave me spent, impoverished, alone.

There it was, word for word,
The poem that took the place of a mountain.

He breathed its oxygen,
Even when the book lay turned in the dust of his table.

It reminded him how he had needed
A place to go to in his own direction,

How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,

For the outlook that would be right,
Where he would be complete in an unexplained completion:

The exact rock where his inexactness
Would discover, at last, the view toward which they had edged,

Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.

Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.

Sometimes the poem
can't requite
the poet's passion.

The poem is a dance

A tale of earnest effort and human perfidy

It's all very well for preachin',
But preachin' and practice don't gee:
I've give the thing a fair trial,
And you can't ring it in on me.
So toddle along with your pledge, Squire,
Ef that's what you want me to sign;
Betwixt me and you, I've been thar,
And I'll not take any in mine.

A year ago last Fo'th July
A lot of the boys was here.
We all got corned and signed the pledge
For to drink no more that year.
There was Tilmon Joy and Sheriff McPhail