In through the porch and up the silent stair;
Little is changed, I know so well the ways;--
Here, the dead came to meet me; it was there
The dream was dreamed in unforgotten days.

But who is this that hurries on before,
A flitting shade the brooding shades among?--
She turned,--I saw her face,--O God, it wore
The face I used to wear when I was young!

I thought my spirit and my heart were tamed
To deadness; dead the pangs that agonise.
The old grief springs to choke me,--I am shamed
Before that little ghost with eager eyes.

Then, when we had got down to the sea shore we drew our ship into
the water and got her mast and sails into her; we also put the sheep
on board and took our places, weeping and in great distress of mind.
Circe, that great and cunning goddess, sent us a fair wind that blew
dead aft and stayed steadily with us keeping our sails all the time
well filled; so we did whatever wanted doing to the ship's gear and
let her go as the wind and helmsman headed her. All day long her sails
were full as she held her course over the sea, but when the sun went

A young gazelle there is in the tribe, dark-lipped, fruit-shaking,

flaunting a double necklace of pearls and topazes,

holding aloof, with the herd grazing in the lush thicket,

nibbling the tips of the arak-fruit, wrapped in her cloak.

Her dark lips part in a smile, teeth like a comomile

on a moist hillock shining amid the virgin sands,

whitened as it were by the sun's rays, all but her gums

that are smeared with colyrium -- she gnaws not against them;

a face as though the sun had loosed his mantle upon it,

HOW many singers before me! Are there yet songs unsung?

Dost thou, my sad soul, remember where was her dwelling place?

Tents in Jiwá, the fair wadi, speak ye to me of her.

Fair house of 'Abla my true love, blessing and joy to thee!

Doubting I paused in the pastures, seeking her camel-tracks,

high on my swift-trotting nága tall as a citadel,

Weaving a dream of the past days, days when she dwelt in them,

'Abla, my true love, in Házzen, Sammán, Mutathéllemi.

... Oceanward I am ever yearning,
Where far it rolls in its calm and grandeur,
The weight of mountain-like fogbanks bearing,
Forever wandering and returning.
The skies may lower, the land may call it,
It knows no resting and knows no yielding.
In nights of summer, in storms of winter,
Its surges murmur the self-same longing.

Yes, oceanward I am ever yearning,
Where far is lifted its broad, cold forehead!
Thereon the world throws its deepest shadow
And mirrors whispering all its anguish.

HIERUSALEM, my happy home,
   When shall I come to thee?
When shall my sorrows have an end,
   Thy joys when shall I see?

O happy harbour of the Saints!
   O sweet and pleasant soil!
In thee no sorrow may be found,
   No grief, no care, no toil.

There lust and lucre cannot dwell,
   There envy bears no sway;
There is no hunger, heat, nor cold,
   But pleasure every way.

Thy walls are made of precious stones,

As it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring;
Every thing did banish moan,
Save the nightingale alone.
She, poor bird, as all forlorn,
Lean'd her breast up-till a thorn
And there sung the doleful'st ditty,
That to hear it was great pity.
Fie, fie, fie, now would she cry,
Teru, teru, by and by;
That to hear her so complain,

Never say aught in verse, or grave or gay,
That you in prose would hesitate to say.
Never in rhyme pretend to tears, unless
True feeling sheds them in unfeigned distress;
Or some dream-grief, with such a mournful strain
As night winds make in pine tops, stirs your brain,
To shake them, dew-like, o’er the flowers that bloom
In the wild dark, round Joy’s imagined tomb;
Or save when doubts that over Love may lower,
Like summer clouds, break in a sunny shower
Out of your gladdened eyes, to freshen all

Peace? and to all the world? sure, One
And He the Prince of Peace, hath none.
He travels to be born, and then
Is born to travel more again.
Poor Galilee! thou canst not be
The place for His nativity.
His restless mother's called away,
And not delivered till she pay.
A tax? 'tis so still! we can see
The church thrive in her misery;
And like her Head at Bethlem, rise
When she, oppressed with troubles, lies.
Rise? should all fall, we cannot be
In more extremities than He.
Great Type of passions! come what will,

Those groans men use
passing a woman on the street
or on the steps of the subway

to tell her she is a female
and their flesh knows it,

are they a sort of tune,
an ugly enough song, sung
by a bird with a slit tongue

but meant for music?

Or are they the muffled roaring
of deafmutes trapped in a building that is
slowly filling with smoke?

Perhaps both.

Such men most often
look as if groan were all they could do,
yet a woman, in spite of herself,

knows it's a tribute: