grief

A young gazelle there is in the tribe, dark-lipped, fruit-shaking,

flaunting a double necklace of pearls and topazes,

holding aloof, with the herd grazing in the lush thicket,

nibbling the tips of the arak-fruit, wrapped in her cloak.

Her dark lips part in a smile, teeth like a comomile

on a moist hillock shining amid the virgin sands,

whitened as it were by the sun's rays, all but her gums

that are smeared with colyrium -- she gnaws not against them;

HOW many singers before me! Are there yet songs unsung?

Dost thou, my sad soul, remember where was her dwelling place?

Tents in Jiwá, the fair wadi, speak ye to me of her.

Fair house of 'Abla my true love, blessing and joy to thee!

Doubting I paused in the pastures, seeking her camel-tracks,

high on my swift-trotting nága tall as a citadel,

Weaving a dream of the past days, days when she dwelt in them,

'Abla, my true love, in Házzen, Sammán, Mutathéllemi.

... Oceanward I am ever yearning,
Where far it rolls in its calm and grandeur,
The weight of mountain-like fogbanks bearing,
Forever wandering and returning.
The skies may lower, the land may call it,
It knows no resting and knows no yielding.
In nights of summer, in storms of winter,
Its surges murmur the self-same longing.

Yes, oceanward I am ever yearning,
Where far is lifted its broad, cold forehead!
Thereon the world throws its deepest shadow
And mirrors whispering all its anguish.

As it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring;
Every thing did banish moan,
Save the nightingale alone.
She, poor bird, as all forlorn,
Lean'd her breast up-till a thorn
And there sung the doleful'st ditty,
That to hear it was great pity.
Fie, fie, fie, now would she cry,
Teru, teru, by and by;

I look into the aching womb of night;
I look across the mist that masks the dead;
The moon is tired and gives but little light,
The stars have gone to bed.

The earth is sick and seems to breathe with pain;
A lost wind whimpers in a mangled tree;
I do not see the foul, corpse-cluttered plain,
The dead I do not see.

The slain I would not see . . . and so I lift
My eyes from out the shambles where they lie;
When lo! a million woman-faces drift

The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.

Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -

Never say aught in verse, or grave or gay,
That you in prose would hesitate to say.
Never in rhyme pretend to tears, unless
True feeling sheds them in unfeigned distress;
Or some dream-grief, with such a mournful strain
As night winds make in pine tops, stirs your brain,
To shake them, dew-like, o’er the flowers that bloom
In the wild dark, round Joy’s imagined tomb;
Or save when doubts that over Love may lower,
Like summer clouds, break in a sunny shower
Out of your gladdened eyes, to freshen all

Peace? and to all the world? sure, One
And He the Prince of Peace, hath none.
He travels to be born, and then
Is born to travel more again.
Poor Galilee! thou canst not be
The place for His nativity.
His restless mother's called away,
And not delivered till she pay.
A tax? 'tis so still! we can see
The church thrive in her misery;
And like her Head at Bethlem, rise
When she, oppressed with troubles, lies.
Rise? should all fall, we cannot be
In more extremities than He.

Those groans men use
passing a woman on the street
or on the steps of the subway

to tell her she is a female
and their flesh knows it,

are they a sort of tune,
an ugly enough song, sung
by a bird with a slit tongue

but meant for music?

Or are they the muffled roaring
of deafmutes trapped in a building that is
slowly filling with smoke?

Perhaps both.

Such men most often
look as if groan were all they could do,
yet a woman, in spite of herself,

Three months after he lies dead, that
long yellow narrow body,
not like Christ but like one of his saints,
the naked ones in the paintings whose bodies are
done in gilt, all knees and raw ribs,
the ones who died of nettles, bile, the
one who died roasted over a slow fire—
three months later I take the pot of
tulip bulbs out of the closet
and set it on the table and take off the foil hood.
The shoots stand up like young green pencils,
and there in the room is the comfortable smell of rot,