A.D. 1670

AGLÄE, a widow.
MURIEL, her unmarried sister.


It happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,

Did you attend? He sang by grove ripe -
The bard of love, the singer of his mourning.
When fields were silent by the early morning,
To sad and simple sounds of a pipe
Did you attend?

Did you behold in dark of forest leaf
The bard of love, the singer of his sadness?
The trace of tears, the smile, the utter paleness,
The quiet look, full of eternal grief,
Did you behold?

Then did you sigh when hearing how cries
The bard of love, the singer of his dole?
When in the woods you saw the young man, sole,

We hear a great commotion
'Bout the ship that comes to grief,
That founders in mid-ocean,
Or is driven on a reef;
Because it's cheap and brittle
A score of sinners drown.
But we hear but mighty little
Of the ships that won't go down.

Here's honour to the builders –
The builders of the past;
Here's honour to the builders
That builded ships to last;
Here's honour to the captain,
And honour to the crew;
Here's double-column headlines
To the ships that battle through.

They make a great sensation

Now, shearers' cooks, as shearers know,
Are very seldom wont to blow;
But when I took to dabbing tar
And "picking-up" on Blaringar,
The cook, when "barbers" came at morn
To get a snack, would say, with scorn:
"Tea on the left,
Coffee on the right,
Brownie on the bunk, and blast yez!"

The "bunk" or slab was in the hut,
And on it "brownie" ready cut;
Two buckets o'er the fire would be -
One filled with coffee, one with tea;
And when the chaps came filing in
The cook would say, with mirthless grin:
"Tea on the left,

...
Such speech they chang'd; when in the yard there lay
A dog, call'd Argus, which, before his way
Assum'd for Ilion, Ulysses bred,
Yet stood his pleasure then in little stead,
As being too young; but, growing to his grace,
Young men made choice of him for every chace,
Or of their wild goats, of their hares, or harts.
But his king gone, and he, now past his parts,
Lay all abjectly on the stable's store,
Before the oxstall, and mules' stable door,
To keep the clothes cast from the peasants' hands,

I go away this blessed day,
To sail across the sea, MATILDA!
My vessel starts for various parts
At twenty after three, MATILDA.
I hardly know where we may go,
Or if it's near or far, MATILDA,
For CAPTAIN HYDE does not confide
In any 'fore-mast tar, MATILDA!

Beneath my ban that mystic man
Shall suffer, COUTE QUI COUTE, MATILDA!
What right has he to keep from me
The Admiralty route, MATILDA?
Because, forsooth! I am a youth
Of common sailors' lot, MATILDA!
Am I a man on human plan
Designed, or am I not, MATILDA?

Oh all ye, who pass by, whose eyes and mind
To worldly things are sharp, but to me blind;
To me, who took eyes that I might you find:
Was ever grief like mine?

The Princes of my people make a head
Against their Maker: they do wish me dead,
Who cannot wish, except I give them bread:
Was ever grief like mine?

Without me each one, who doth now me brave,
Had to this day been an Egyptian slave.
They use that power against me, which I gave:
Was ever grief like mine?

Now ye gallant Sydney boys, who have left your household joys
To march across the sea in search of glory,
I am very much afraid that you do not love parade,
But the rum parade is quite another story.
For the influenza came and to spoil its little game,
They ordered us to drink a curious mixture;
Though at first it frightened some, when we found it mostly rum,
Parade became a very pleasant fixture.

Chorus

So it's forward the Brigade, if they'll hold a rum parade
At Pretoria there's nothing to alarm ye;

The Rose was given to man for this:
He, sudden seeing it in later years,
Should swift remember Love's first lingering kiss
And Grief's last lingering tears;
Or, being blind, should feel its yearning soul
Knit all its piercing perfume round his own,
Till he should see on memory's ample scroll
All roses he had known;

Or, being hard, perchance his finger-tips
Careless might touch the satin of its cup,
And he should feel a dead babe's budding lips
To his lips lifted up;

Or, being deaf and smitten with its star,

Through that window—all else being extinct
Except itself and me—I saw the struggle
Of darkness against darkness. Within the room
It turned and turned, dived downward. Then I saw
How order might—if chaos wished—become:
And saw the darkness crush upon itself,
Contracting powerfully; it was as if
It killed itself, slowly: and with much pain.
Pain. The scene was pain, and nothing but pain.
What else, when chaos draws all forces inward
To shape a single leaf? . . .
For the leaf came
Alone and shining in the empty room;