O for a sculptor's hand,
That thou might'st take thy stand,
Thy wild hair floating on the eastern breeze,
Thy tranced yet open gaze
Fixed on the desert haze,
As one who deep in heaven some airy pageant sees.

In outline dim and vast
Their fearful shadows cast
This giant forms of empires on their way
To ruin: one by one
They tower and they are gone,
Yet in the Prophet's soul the dreams of avarice stay.

No sun or star so bright
In all the world of light
That they should draw to Heaven his downward eye:

This celestial seascape, with white herons got up as angels,
flying high as they want and as far as they want sidewise
in tiers and tiers of immaculate reflections;
the whole region, from the highest heron
down to the weightless mangrove island
with bright green leaves edged neatly with bird-droppings
like illumination in silver,
and down to the suggestively Gothic arches of the mangrove roots
and the beautiful pea-green back-pasture
where occasionally a fish jumps, like a wildflower
in an ornamental spray of spray;

Green sea-tarnished copper
And sea-tarnished gold
Of cupolas.

Sea-runnelled streets
Channelled by salt air
That wears the white stone.

The sunlight-filled cistern
Of a dry-dock. Square shadows.
Sun-slatted smoke above meticulous stooping of cranes.

Water pressed up by ships' prows
Going, coming.

City dust turned
Back by the sea-wind's
Wall.


Submitted by Stephen Fryer

Oh! hush thee, my baby, the night is behind us
And black are the waters that sparkled so green.
The moon, O'er the combers, looks downward to find us
At rest in the hollows that rustle between.
Where billow meets billow, there soft by the pillow.
Oh, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, no shark shall overtake thee
Asleep in the storm of slow-swinging seas.

On up the sea slant,
On up the horizon,
The ship limps.

The bone of her nose fog-gray,
The heart of her sea-strong,
She came a long way,
She goes a long way.

On up the sea slant,
On up the horizon,
She limps sea-strong, fog-gray

She is a green-lit night gray.
She comes and goes in sea-fog.
Up the horizon slant she limps.

We were a tribe, a family, a people.
Wallace and Bruce guard now a painted field,
And all may read the folio of our fable,
Peruse the sword, the sceptre and the shield.
A simple sky roofed in that rustic day,
The busy corn-fields and the haunted holms,
The green road winding up the ferny brae.
But Knox and Melville clapped their preaching palms
And bundled all the harvesters away,
Hoodicrow Peden in the blighted corn
Hacked with his rusty beak the starving haulms.
Out of that desolation we were born.

Would we but love what will not pass away!
The sun that on each morning shines as clear
As when it rose first on the world's first year;
The fresh green leaves that rustle on the spray.
The sun will shine, the leaves will be as gay
When graves are full of all our hearts held dear,
When not a soul of those who loved us here,
Not one, is left us--creatures of decay.

Yea, love the Abiding in the Universe
Which was before, and will be after us.
Nor yet for ever hanker and vainly cry
For human love--the beings that change or die;

Beyond the land where Leichhardt went,
Beyond Sturt's Western track,
The rolling tide of change has sent
Some strange J.P.'s out back.
And Saltbush Bill, grown old and grey,
And worn for want of sleep,
Received the news in camp one day
Behind the travelling sheep

That Edward Rex, confiding in
His known integrity,
By hand and seal on parchment skin
Had made hiim a J.P.

He read the news with eager face
But found no word of pay.
"I'd like to see my sister's place
And kids on Christmas Day.

All winter the fire devoured everything --
tear-stained elegies, old letters, diaries, dead flowers.
When April finally arrived,
I opened the woodstove one last time
and shoveled the remains of those long cold nights
into a bucket, ash rising
through shafts of sunlight,
as swirling in bright, angelic eddies.
I shoveled out the charred end of an oak log,
black and pointed like a pencil;
half-burnt pages
sacrificed
in the making of poems;
old, square handmade nails
liberated from weathered planks
split for kindling.

Those villages stricken with the melancholia of Sunday,
in all of whose ocher streets one dog is sleeping

those volcanoes like ashen roses, or the incurable sore
of poverty, around whose puckered mouth thin boys are
selling yellow sulphur stone

the burnt banana leaves that used to dance
the river whose bed is made of broken bottles
the cocoa grove where a bird whose cry sounds green and
yellow and in the lights under the leaves crested with
orange flame has forgotten its flute