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The Owl Describing her Young Ones

Why was that baleful Creature made,
Which seeks our Quiet to invade,
And screams ill Omens through the Shade?

'Twas, sure, for every Mortals good,
When, by wrong painting of her Brood,
She doom'd them for the Eagle's Food:

Who proffer'd Safety to her Tribe,
Wou'd she but shew them or describe,
And serving him, his Favour bribe.

When thus she did his Highness tell;
In Looks my Young do all excel,
Nor Nightingales can sing so well.

You'd joy to see the pretty Souls,
With wadling Steps and frowzy Poles,

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The Outlaw

O, Brignall banks are wild and fair,
And Greta woods are green,
And you may gather garlands there,
Would grace a summer queen:
And as I rode by Dalton Hall,
Beneath the turrets high,
A Maiden on the castle wall
Was singing merrily:—

'O, Brignall banks are fresh and fair,
And Greta woods are green!
I'd rather rove with Edmund there
Than reign our English Queen.'

'If, Maiden, thou wouldst wend with me
To leave both tower and town,

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The Origin of the Harp

Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.

But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.

Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light

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The Orange Tree

The young girl stood beside me.
I Saw not what her young eyes could see:
- A light, she said, not of the sky
Lives somewhere in the Orange Tree.

- Is it, I said, of east or west?
The heartbeat of a luminous boy
Who with his faltering flute confessed
Only the edges of his joy?

Was he, I said, borne to the blue
In a mad escapade of Spring
Ere he could make a fond adieu
To his love in the blossoming?

- Listen! the young girl said. There calls
No voice, no music beats on me;

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The Optimist

The fields were bleak and sodden. Not a wing
Or note enlivened the depressing wood,
A soiled and sullen, stubborn snowdrift stood
Beside the roadway. Winds came muttering
Of storms to be, and brought the chilly sting
Of icebergs in their breath. Stalled cattle mooed
Forth plaintive pleadings for the earth's green food.
No gleam, no hint of hope in anything.

The sky was blank and ashen, like the face
Of some poor wretch who drains life's cup too fast.
Yet, swaying to and fro, as if to fling
About chilled Nature its lithe arms of grace,

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The Onward Course

Our course is onward, onward into light:
What though the darkness gathereth amain,
Yet to return or tarry both are vain.
How tarry, when around us is thick night?
Whither return? what flower yet ever might,
In days of gloom and cold and stormy rain,
Enclose itself in its green bud again,
Hiding from wrath of tempest out of sight?

Courage--we travel through a darksome cave;
But still as nearer to the light we draw,
Fresh gales will reach us from the upper air
And wholesome dews of heaven our foreheads lave,

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The Onion, Memory

Divorced, but friends again at last,
we walk old ground together
in bright blue uncomplicated weather.
We laugh and pause
to hack to bits these tiny dinosaurs,
prehistoric, crenelated, cast
between the tractor ruts in mud.

On the green, a junior Douglas Fairbanks,
swinging on the chestnut's unlit chandelier,
defies the corporation spears--
a single rank around the bole,
rusty with blood.
Green, tacky phalluses curve up, romance
A gust--the old flag blazes on its pole.

In the village bakery
the pastry babies pass

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The 'Ole in the Ark

One evening at dusk as Noah stood on his Ark,
Putting green oil in starboard side lamp,
His wife came along and said, 'Noah, summat's wrong,
Our cabin is getting quite damp.

Noah said, 'Is that so?' Then he went down below,
And found it were right what she'd said,
For there on the floor quite a puddle he saw,
It was slopping around under t' bed.

Said he, 'There's an 'ole in the bottom somewhere,
We must find it before we retire.'
Then he thowt for a bit, and he said 'Aye, that's it,
A bloodhound is what we require.'

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The Old Witch in the Copse

I am a Witch, and a kind old Witch,
There's many a one knows that--
Alone I live in my little dark house
With Pillycock, my cat.
A girl came running through the night,
When all the winds blew free:--
"O mother, change a young man's heart
That will not look on me.
O mother, brew a magic mead
To stir his heart so cold."
"Just as you will, my dear," said I;
"And I thank you for your gold."
So here am I in the wattled copse
Where all the twigs are brown,
To find what I need to brew my mead
As the dark of night comes down.

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The Old Wife and the New

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;
The sunlight on his gray hair shone;

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