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To love thee Year by Year—
May less appear
Than sacrifice, and cease—
However, dear,
Forever might be short, I thought to show—
And so I pieced it, with a flower, now.

Still must the poet as of old,
In barren attic bleak and cold,
Starve, freeze, and fashion verses to
Such things as flowers and song and you;

Still as of old his being give
In Beauty's name, while she may live,
Beauty that may not die as long
As there are flowers and you and song.

In the buds, before they burst,
Leaves and flowers are moulded;
Closely pressed they lie at first,
Exquisitely folded.

Though no hope of change they felt,
Folded hard together,
Soon their sap begins to melt
In the warmer weather.

Till, when Life returns with Spring,
Through them softly stealing,
All their freshness forth they fling,
Hidden forms revealing. [606]

Who can fold those flowers again,
In the way he found them?
Or those spreading leaves restrain,
In the buds that bound them?

There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.

Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison to all true kings that ever reigned?

Water to water, ark again to ark,
From woman back to woman:

Palacio, good friend,
is spring there
showing itself on branches of black poplars
by the roads and river? On the steeps
of the high Duero, spring is late,
but so soft and lovely when it comes!
Are there a few new leaves
on the old elms?
The acacias must still be bare,
and the mountain peaks snow-filled.
Oh the massed pinks and whites
of Moncayo, massed up there,
beauty, in the sky of Aragon!
Are there brambles flowering,
among the grey stones,
and white daisies,
in the thin grass?

On the belltowers

On his "Book of Joyous Children"

Yours is a garden of old-fashioned flowers;
Joyous children delight to play there;
Weary men find rest in its bowers,
Watching the lingering light of day there.

Old-time tunes and young love's laughter
Ripple and run among the roses;
Memory's echoes, murmuring after,
Fill the dusk when the long day closes.

Simple songs with a cadence olden--
These you learned in the Forest of Arden:
Friendly flowers with hearts all golden--
These you borrowed from Eden's garden.

Go, pretty child, and bear this flower
Unto thy little Saviour;
And tell him, by that bud now blown,
He is the Rose of Sharon known.
When thou hast said so, stick it there
Upon his bib or stomacher;
And tell him, for good handsel too,
That thou hast brought a whistle new,
Made of a clean straight oaten reed,
To charm his cries at time of need;
Tell him, for coral, thou hast none,
But if thou hadst, he should have one;
But poor thou art, and known to be
Even as moneyless as he.
Lastly, if thou canst win a kiss

Now Serena be not coy,
Since we freely may enjoy
Sweet embraces, such delights,
As will shorten tedious nights.
Think that beauty will not stay
With you always, but away,
And that tyrannizing face
That now holds such perfect grace
Will both changed and ruined be;
So frail is all things as we see,
So subject unto conquering Time.
Then gather flowers in their prime,
Let them not fall and perish so;
Nature her bounties did bestow
On us that we might use them, and
'Tis coldness not to understand

I DO confess thou'rt smooth and fair,
And I might have gone near to love thee,
Had I not found the slightest prayer
That lips could move, had power to move thee;
But I can let thee now alone
As worthy to be loved by none.

I do confess thou'rt sweet; yet find
Thee such an unthrift of thy sweets,
Thy favours are but like the wind
That kisseth everything it meets:
And since thou canst with more than one,
Thou'rt worthy to be kiss'd by none.

The morning rose that untouch'd stands
Arm'd with her briers, how sweet she smells!

Nymph of the downward smile and sidelong glance!
In what diviner moments of the day
Art thou most lovely?—when gone far astray
Into the labyrinths of sweet utterance,
Or when serenely wandering in a trance
Of sober thought? Or when starting away,
With careless robe to meet the morning ray,
Thou sparest the flowers in thy mazy dance?
Haply 'tis when thy ruby lips part sweetly,
And so remain, because thou listenest:
But thou to please wert nurtured so completely
That I can never tell what mood is best;