fire

When the daylight fades on the tented field,
And the campfire cheerfully burns,
Then the Soldier's thought, like a carrier dove,
To his own love home returns;
Like a carrier dove -- a carrier dove,
And gleams beyond the foam,
So a light springs up in the Soldier's heart,
As he thinks of the Girls at Home.

When the shadows dance on the canvas walls,
And the camp with melody rings,
'Tis the good old song of the Stars and Stripes,
That the fireside circle sings;

Last night at black midnight I woke with a cry,
The windows were shaking, there was thunder on high,
The floor was a-tremble, the door was a-jar,
White fires, crimson fires, shone from afar.
I rushed to the door yard. The city was gone.
My home was a hut without orchard or lawn.
It was mud-smear and logs near a whispering stream,
Nothing else built by man could I see in my dream...
Then...
Ghost-kings came headlong, row upon row,
Gods of the Indians, torches aglow.

They mounted the bear and the elk and the deer,

'NEATH the shadow

Of these bushes,
On the meadow

Where the cooling water gushes.
Phoebus gave me, when a boy,
All life's fullness to enjoy.
So, in silence, as the God
Bade them with his sov'reign nod,
Sacred Muses train'd my days
To his praise.--
With the bright and silv'ry flood
Of Parnassus stirr'd my blood,
And the seal so pure and chaste
By them on my lips was placed.

With her modest pinions, see,
Philomel encircles me!
In these bushes, in yon grove,

the German hotel was very strange and expensive and had
double doors to the rooms, very thick doors, and it over-
looked the park and the vasser tern and in the mornings
it was usually too late for breakfast and the maids
would be everywhere changing sheets and bringing in
towels, but you never saw any hotel guests, only the
maids and the desk man and the day desk man was all
right because we were sober during the day but we had
trouble with the night man who was some sort of snob

"Ah, did you once see Shelley plain?" -- Browning.
"Shelley? Oh, yes, I saw him often then,"
The old man said. A dry smile creased his face
With many wrinkles. "That's a great poem, now!
That one of Browning's! Shelley? Shelley plain?
The time that I remember best is this --

A thin mire crept along the rutted ways,
And all the trees were harried by cold rain
That drove a moment fiercely and then ceased,
Falling so slow it hung like a grey mist
Over the school. The walks were like blurred glass.

Why do you whisper so faintly in
my ears, O Death, my Death?
When the flowers droop in the
evening and cattle come back to their
stalls, you stealthily come to my side
and speak words that I do not
understand.
Is this how you must woo and win
me with the opiate of drowsy murmur
and cold kisses, O Death, my Death?
Will there be no proud ceremony
for our wedding?
Will you not tie up with a wreath
your tawny coiled locks?
Is there none to carry your banner

Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
A bright cloud of infant souls; his words fall like purple autumn on the sheaves:

'What is the price of Experience? do men buy it for a song?
Or wisdom for a dance in the street? No, it is bought with the price
Of all that a man hath, his house, his wife, his children.
Wisdom is sold in the desolate market where none come to buy,
And in the wither'd field where the farmer plows for bread in vain.

It is an easy thing to triumph in the summer's sun
And in the vintage and to sing on the waggon loaded with corn.
It is an easy thing to talk of patience to the afflicted,

I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base

In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o’ the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow