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In the Room

'Ceste insignefable et tragicque comedie' RABELMS.

I

The sun was down, and twilight grey
Filled half the air; but in the room,
Whose curtain had been drawn all day,
The twilight was a dusky gloom:
Which seemed at first as still as death,
And void; but was indeed all rife
With subtle thrills, the pulse and breath
Of multitudinous lower life.

II
In their abrupt and headlong way
Bewildered flies for light had dashed
Against the curtain all the day,
And now slept wintrily abashed;
And nimble mice slept, wearied out

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In the Long Run

In the long run fame finds the deserving man.
The lucky wight may prosper for a day,
But in good time true merit leads the van,
And vain pretense, unnoticed, goes its way.
There is no Chance, no Destiny, no Fate,
But Fortune smiles on those who work and wait,
In the long run.

In the long run all goodly sorrow pays,
There is no better thing than righteous pain,
The sleepless nights, the awful thorn-crowned days,
Bring sure reward to tortured soul and brain.
Unmeaning joys enervate in the end,

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In the Bay

I
Beyond the hollow sunset, ere a star
Take heart in heaven from eastward, while the west,
Fulfilled of watery resonance and rest,
Is as a port with clouds for harbour bar
To fold the fleet in of the winds from far
That stir no plume now of the bland sea's breast:II
Above the soft sweep of the breathless bay
Southwestward, far past flight of night and day,
Lower than the sunken sunset sinks, and higher
Than dawn can freak the front of heaven with fire,

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In the Baggage Room at Greyhound

I

In the depths of the Greyhound Terminal
sitting dumbly on a baggage truck looking at the sky
waiting for the Los Angeles Express to depart
worrying about eternity over the Post Office roof in
the night-time red downtown heaven
staring through my eyeglasses I realized shuddering
these thoughts were not eternity, nor the poverty
of our lives, irritable baggage clerks,
nor the millions of weeping relatives surrounding the
buses waving goodbye,
nor other millions of the poor rushing around from

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In Salutation to the Eternal Peace

Men say the world is full of fear and hate,
And all life's ripening harvest-fields await
The restless sickle of relentless fate.

But I, sweet Soul, rejoice that I was born,
When from the climbing terraces of corn
I watch the golden orioles of Thy morn.

What care I for the world's desire and pride,
Who know the silver wings that gleam and glide,
The homing pigeons of Thine eventide?

What care I for the world's loud weariness,
Who dream in twilight granaries Thou dost bless
With delicate sheaves of mellow silences?

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In Darkness

Must all of worth be travailled for, and those
Life's brightest stars rise from a troubled sea
Must years go by in sad uncertainty
Leaving us doubting whose the conquering blows,
Are we or Fate the victors? Time which shows
All inner meanings will reveal, but we
Shall never know the upshot. Ours to be
Wasted with longing, shattered in the throes,
The agonies of splendid dreams, which day
Dims from our vision, but each night brings back;
We strive to hold their grandeur, and essay
To be the thing we dream. Sudden we lack

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In Barracks

The barrack-square, washed clean with rain,
Shines wet and wintry-grey and cold.
Young Fusiliers, strong-legged and bold,
March and wheel and march again.
The sun looks over the barrack gate,
Warm and white with glaring shine,
To watch the soldiers of the Line
That life has hired to fight with fate.

Fall out: the long parades are done.
Up comes the dark; down goes the sun.
The square is walled with windowed light.
Sleep well, you lusty Fusiliers;
Shut your brave eyes on sense and sight,

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In Autumn

The leaves are many under my feet,
And drift one way.
Their scent of death is weary and sweet.
A flight of them is in the grey
Where sky and forest meet.

The low winds moan for sad sweet years;
The birds sing all for pain,
Of a common thing, to weary ears,--
Only a summer's fate of rain,
And a woman's fate of tears.

I walk to love and life alone
Over these mournful places,
Across the summer overthrown,
The dead joys of these silent faces,
To claim my own.

I know his heart has beat to bright

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In a Minor Key

(AN ECHO FROM A LARGER LYRE.)


That was love that I had before
Years ago, when my heart was young;
Ev'ry smile was a gem you wore;
Ev'ry word was a sweet song sung.

You came--all my pulses burn'd and beat.
(O sweet wild throbs of an early day!)
You went--with the last dear sound of your feet
The light wax'd dim and the place grew grey.

And I us'd to pace with a stealthy tread
By a certain house which is under a hill;
A cottage stands near, wall'd white, roof'd red--
Tall trees grow thick--I can see it still!

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Impromptu, to Lady Winchelsea

In vain you boast Poetic Names of yore,
And cite those Sapho's we admire no more:
Fate doom'd the Fall of ev'ry Female Wit,
But doom'd it then when first Ardelia writ.
Of all Examples by the World confest,
I knew Ardelia could not quote the best;
Who, like her Mistress on Britannia's Throne;
Fights, and subdues in Quarrels not her own.
To write their Praise you but in vain essay;
Ev'n while you write, you take that Praise away:
Light to the Stars the Sun does thus restore,
But shines himself till they are seen no more.

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