Though not for common praise of him,
Nor yet for pride or charity,
Still would I make to Vanderberg
One tribute for his memory:

One honest warrant of a friend
Who found with him that flesh was grass—
Who neither blamed him in defect
Nor marveled how it came to pass;

Or why it ever was that he—
That Vanderberg, of all good men,
Should lose himself to find himself,
Straightway to lose himself again.

For we had buried Sainte-Nitouche,
And he had said to me that night:
“Yes, we have laid her in the earth,

They brought me ambrotypes
Of the old pioneers to enlarge.
And sometimes one sat for me—
Some one who was in being
When giant hands from the womb of the world
Tore the republic.
What was it in their eyes?—
For I could never fathom
That mystical pathos of drooped eyelids,
And the serene sorrow of their eyes.
It was like a pool of water,
Amid oak trees at the edge of a forest,
Where the leaves fall,
As you hear the crow of a cock
From a far-off farm house, seen near the hills

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?

He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .

Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.

For three days past I have not tasted food;

Ring out your bells, let mourning shows be spread;
For Love is dead--
All love is dead, infected
With plague of deep disdain;
Worth, as nought worth, rejected,
And Faith fair scorn doth gain.
From so ungrateful fancy,
From such a female franzy,
From them that use men thus,
Good Lord, deliver us!

Weep, neighbours, weep; do you not hear it said
That Love is dead?
His death-bed, peacock's folly;
His winding-sheet is shame;
His will, false-seeming holy;
His sole exec'tor, blame.
From so ungrateful fancy,

I

There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods;
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.

II

All things that love the sun are out of doors;
The sky rejoices in the morning's birth;
The grass is bright with rain-drops;--on the moors
The hare is running races in her mirth;

Reproach me not e'en if I earn your indignation;
Know: of us two you are to be more envied far.
Unlike my love for you, yours is sincere, unmarred
By jealousy's mistrust, its rancour and vexation.

A wretched sorcerer, who doubts himself and stifles
Faith in the magic world by his own efforts wrought
I know myself to be... I am - O bitter thought!-
Of your warm, living soul the idol cold and lifeless.

How dear to me the twilight hour!
It breathes, it speaks of pleasures past;
When Laura sought this humble bower,
And o'er it courtly splendours cast.

Fond fancy's friend, dim twilight, hail!
Thou canst the absent nymph restore;
And as around thy shadows sail,
They bring the form I still adore.

Again her pensive smile I view,
Her modest eye's soft chastened fire;
And mark her cheek of tender hue
From thee a softer tint acquire.

No eye but mine in that dim hour
The softly blushing maid could see;

(AMSTERDAM, 1645)


And there you are again, now as you are.
Observe yourself as you discern yourself
In your discredited ascendency;
Without your velvet or your feathers now,
Commend your new condition to your fate,
And your conviction to the sieves of time.
Meanwhile appraise yourself, Rembrandt van Ryn,
Now as you are—formerly more or less
Distinguished in the civil scenery,
And once a painter. There you are again,
Where you may see that you have on your shoulders
No lovelier burden for an ornament

But may a Rural Pen try to set forth
Such a Great Fathers Ancient Grace and worth
I undertake a no less Arduous Theme
Then the Old Sages found the Chaldae Dream
'Tis more then Tythes of a profound respect
That must be paid such a Melchizedeck
Oxford this light with tongues and Arts doth trim
And then his Northern Town doth Challeng him
His Time and Strength he Center'd there in this
To do good works, and be what now he is.
His fulgent Virtues there and learned Strains
Tall comely Presence, Life unsoil'd with Stains