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The Merry Window

The alabaster legs of the lonely woman
hang from the window like white ensigns
out of the laughing window like false teeth
sheets, flagstaffs, telescopes, rolls of music,
or you would say beheaded necks of swans
or the electric horns of factories
where foreign dreams are nightly fabricated.

Yearning for her coal once heaved in the seam
for her the sewers shrieked their way through London
and pigeons ate each other in the air.

But the deserted lady is frozen to the marrow
her heart has floated into her left leg

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The Matin-song of Friar Tuck

I.
If souls could sing to heaven's high King
As blackbirds pipe on earth,
How those delicious courts would ring
With gusts of lovely mirth!
What white-robed throng could lift a song
So mellow with righteous glee
As this brown bird that all day long
Delights my hawthorn tree.
Hark! That's the thrush
With speckled breast
From yon white bush
Chaunting his best,
Te Deum! Te Deum laudamus!

II.
If earthly dreams be touched with gleams
Of Paradisal air,
Some wings, perchance, of earth may glance

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The mariner

"Wreck and stray and castaway."--SWINBURNE.

Once more adrift.
O'er dappling sea and broad lagoon,
O'er frowning cliff and yellow dune,
The long, warm lights of afternoon
Like jewel dustings sift.

Once more awake.
I dreamed an hour of port and quay,
Of anchorage not meant for me;
The sea, the sea, the hungry sea
Came rolling up the break.

Once more afloat.
The billows on my moorings press't,
They drove me from my moment's rest,
And now a portless sea I breast,

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The Manuscript of Saint Alexius

There came a child into the solemn hall
where great Pope Innocent sat throned and heard
angry disputings on Free-Will in man,
Grace, Purity, and the Pelagian creed--
an ignorantly bold poor child, who stood
shewing his rags before the Pope's own eyes,
and bade him come to shrive a beggar man
he found alone and dying in a shed,
who sent him for the Pope, "not any else
but the Pope's self." And Innocent arose
and hushed the mockers "Surely I will go:
servant of servants, I." So he went forth

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The Man-moth

        & nbsp; Here, above,
cracks in the buldings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to records in thermometers.

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The Man with the Hoe Written after seeing Millet's world-famous painting

Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes,
Stolid and stunned, a brother to the ox?
Who loosened and let down this brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?
Is this the Thing the Lord God made and gave
To have dominion over sea and land;

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The Man with Night Sweats

I wake up cold, I who
Prospered through dreams of heat
Wake to their residue,
Sweat, and a clinging sheet.

My flesh was its own shield:
Where it was gashed, it healed.

I grew as I explored
The body I could trust
Even while I adored
The risk that made robust,

A world of wonders in
Each challenge to the skin.

I cannot but be sorry
The given shield was cracked,
My mind reduced to hurry,
My flesh reduced and wrecked.

I have to change the bed,
But catch myself instead

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The Man Who Knew

The Dreamer visioned Life as it might be,
And from his dream forthright a picture grew,
A painting all the people thronged to see,
And joyed therein -- till came the Man Who Knew,
Saying: "'Tis bad! Why do ye gape, ye fools!
He painteth not according to the schools."

The Dreamer probed Life's mystery of woe,
And in a book he sought to give the clue;
The people read, and saw that it was so,
And read again -- then came the Man Who Knew,
Saying: "Ye witless ones! this book is vile:
It hath not got the rudiments of style."

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The man in chrysanthemum land

There's a brave little berry-brown man
At the opposite side of the earth;
Of the White, and the Black, and the Tan,
He's the smallest in compass and girth.
O! he's little, and lively, and Tan,
And he's showing the world what he's worth.
For his nation is born, and its birth
Is for hardihood, courage, and sand,
So you take off your cap
To the brave little Jap
Who fights for Chrysanthemum Land.

Near the house that the little man keeps,
There's a Bug-a-boo building its lair;
It prowls, and it growls, and it sleeps

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The Lotus-Flower

All the heights of the high shores gleam
   Red and gold at the sunset hour:
There comes the spell of a magic dream,
   And the Harbour seems a lotus-flower;

A blue flower tinted at dawn with gold,
   A broad flower blazing with light at noon,
A flower forever with charms to hold
   His heart, who sees it by sun or moon.

Its beauty burns like a ceaseless fire,
   And tower looks over the top of tower;
For all mute things it would seem, aspire

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