I have not walked on common ground,
Nor drunk of earthly streams;
A shining figure, mailed and crowned,
Moves softly through my dreams.

He makes the air so keen and strange,
The stars so fiercely bright;
The rocks of time, the tides of change,
Are nothing in his sight.

Death lays no shadow on his smile;
Life is a race fore-run;
Look in his face a little while,
And life and death are one.

We said farewell, my youth and I,
When all fair dreams were gone or going,
And Love’s red lips were cold and dry.
When white blooms fell from tree-tops high—
Our Austral winter’s way of snowing—
We said farewell, my youth and I.

We did not sigh—what use to sigh
When Death passed as a mower mowing,
And Love’s red lips were cold and dry?

But hearing Life’s stream thunder by,
That sang of old through flowers flowing,
We said farewell, my youth and I.

There was no hope in the blue sky,

Heart of France for a hundred years,
Passionate, sensitive, proud, and strong,
Quick to throb with her hopes and fears,
Fierce to flame with her sense of wrong!
You, who hailed with a morning song
Dream-light gilding a throne of old:
You, who turned when the dream grew cold,
Singing still, to the light that shone
Pure from Liberty's ancient throne,
Over the human throng!
You, who dared in the dark eclipse,--
When the pygmy heir of a giant name
Dimmed the face of the land with shame,--
Speak the truth with indignant lips,

Blue in the west the mountain stands,
And through the long twilight
Vickery sits with folded hands,
And Vickery’s eyes are bright.

Bright, for he knows what no man else
On earth as yet may know:
There’s a golden word that he never tells,
And a gift that he will not show.

He dreams of honor and wealth and fame,
He smiles, and well he may;
For to Vickery once a sick man came
Who did not go away.

The day before the day to be,
“Vickery,” said the guest,
“You know as you live what’s left of me—

Go from me. Yet I feel that I shall stand
Henceforward in thy shadow. Nevermore
Alone upon the threshold of my door
Of individual life, I shall command
The uses of my soul, nor lift my hand
Serenely in the sunshine as before,
Without the sense of that which I forbore--
Thy touch upon the palm. The widest land
Doom takes to part us, leaves thy heart in mine
With pulses that beat double. What I do
And what I dream include thee, as the wine
Must taste of its own grapes. And when I sue
God for myself, He hears that name of thine,

One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can't seem just to say that anything is the thing it is but have to
go out of their way to say that it is like something else.
What does it mean when we are told
That that Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had enough experience
To know that it probably wasn't just one Assyrian, it was a lot of

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,

For one, the amaryllis and the rose;
The poppy, sweet as never lilies are;
The ripen'd vine, that beckons as it blows;
The dancing star.

For one, the trodden rosemary and rue;
The bowl, dipt ever in the purple stream
And, for the other one, a fairer due-
Sleep, and no dream.

Allegra, rising from her canopied dreams,
Slides both white feet across the slanted beams
Which lace the peacock jalousies: behold
An idol of fine clay, with feet of gold

O never harm the dreaming world,
the world of green, the world of leaves,
but let its million palms unfold
the adoration of the trees.

It is a love in darkness wrought
obedient to the unseen sun,
longer than memory, a thought
deeper than the graves of time.

The turning spindles of the cells
weave a slow forest over space,
the dance of love, creation,
out of time moves not a leaf,
and out of summer, not a shade.