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The Russian Fugitive

I

ENOUGH of rose-bud lips, and eyes
Like harebells bathed in dew,
Of cheek that with carnation vies,
And veins of violet hue;
Earth wants not beauty that may scorn
A likening to frail flowers;
Yea, to the stars, if they were born
For seasons and for hours.

Through Moscow's gates, with gold unbarred,
Stepped One at dead of night,
Whom such high beauty could not guard
From meditated blight;
By stealth she passed, and fled as fast
As doth the hunted fawn,

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The Runaway Slave at Pilgrim's Point

I.
I stand on the mark beside the shore
Of the first white pilgrim's bended knee,
Where exile turned to ancestor,
And God was thanked for liberty.
I have run through the night, my skin is as dark,
I bend my knee down on this mark . . .
I look on the sky and the sea.

II.
O pilgrim-souls, I speak to you!
I see you come out proud and slow
From the land of the spirits pale as dew. . .
And round me and round me ye go!
O pilgrims, I have gasped and run
All night long from the whips of one
Who in your names works sin and woe.

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The Rubaiyat of Omar Khayyam

Translated into English in 1859 by Edward FitzGerald

I.
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II.
Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III.
And, as the Cock crew, those who stood before
The Tavern shouted -- "Open then the Door!

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The Rose

The Rose was given to man for this:
He, sudden seeing it in later years,
Should swift remember Love's first lingering kiss
And Grief's last lingering tears;
Or, being blind, should feel its yearning soul
Knit all its piercing perfume round his own,
Till he should see on memory's ample scroll
All roses he had known;

Or, being hard, perchance his finger-tips
Careless might touch the satin of its cup,
And he should feel a dead babe's budding lips
To his lips lifted up;

Or, being deaf and smitten with its star,

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The Road to Hogan's Gap

Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.

Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.

But keep the crick upon your right,
And follow pretty straight

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The Right Way

Birth of the word is by agony molded,
Through earthly life it is quietly going,
It is a stranger, which drinks from the golden
Pitcher the drops of the savages’ mourning.

Go to Nature! The Nature is hostile,
All here is frightening, all is in fullness,
There are the trumpets here, singing the docile
Psalms to the Lord, apathetic and useless.

Death? But before you must weight with exactness,
This tale of poets, and be very clever –
You won’t be sorry for light and life’s greatness

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The Ride to Melrose, from The Lay of the Last Minstrel

CANTO I.XIX.
The Lady sought the lofty hall,
Where many a bold retainer lay,
And with jocund din among them all,
Her son pursued his infant play.
A fancied moss-trooper, the boy
The truncheon of a spear bestrode,
And round the hall right merrily
In mimic foray rode.
Even bearded knights, in arms grown old,
Share in his frolic gambols bore,
Albeit their hearts of rugged mould
Were stubborn as the steel they wore.
For the gray warriors prophesied

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The Rhyme of the Three Greybeards

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.

And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.

They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.

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The Revolutionary

Look at them standing there in authority
The pale-faces,
As if it could have any effect any more.

Pale-face authority,
Caryatids,
Pillars of white bronze standing rigid, lest the skies fall.

What a job they've got to keep it up.
Their poor, idealist foreheads naked capitals
To the entablature of clouded heaven.

When the skies are going to fall, fall they will
In a great chute and rush of débâcle downwards.

Oh and I wish the high and super-gothic heavens would come down now,

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The Revenge of Rain-in-the-Face

In that desolate land and lone,
Where the Big Horn and Yellowstone
Roar down their mountain path,
By their fires the Sioux Chiefs
Muttered their woes and griefs
And the menace of their wrath.

"Revenge!" cried Rain-in-the-Face,
"Revenue upon all the race
Of the White Chief with yellow hair!"
And the mountains dark and high
From their crags re-echoed the cry
Of his anger and despair.

In the meadow, spreading wide
By woodland and riverside
The Indian village stood;
All was silent as a dream,

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