I

I have discovered that most of
the beauties of travel are due to
the strange hours we keep to see them:

the domes of the Church of
the Paulist Fathers in Weehawken
against a smoky dawn -- the heart stirred --
are beautiful as Saint Peters
approached after years of anticipation.

II

Though the operation was postponed
I saw the tall probationers
in their tan uniforms
hurrying to breakfast!

III

-- and from basement entries
neatly coiffed, middle aged gentlemen

'Twas on the shores that round our coast
From Deal to Newport lie
That I roused from sleep in a huddled heap
An elderly wealthy guy.

His hair was graying, his hair was long,
And graying and long was he;
And I heard this grouch on the shore avouch,
In a singular jazzless key:

"Oh, I am a cook and a waitress trim
And a maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door!"

And he shook his fists and he tore his hair,
And he started to frisk and play,

There was snow that afternoon covering the road
which twisted toward the secret
of water, the mysterious surge

of sludge & loam, the living
Mississippi, unlike the rest of the Midwest,

drawing itself through landscape. There was an appointment
you were keeping

in Moline: a cheap hotel, booze, a little blow. On the Lower
East Side, a woman

spills her martini, makes a gesture
like erasure, or regret. It was almost Christmas.
In the rear view

suddenly, the car you will always describe as oncoming

Fields beneath a quilt of snow
From which the rocks and stubble sleep,
And in the west a shy white star
That shivers as it wakes from deep.

The restless rumble of the train,
The drowsy people in the car,
Steel blue twilight in the world,
And in my heart a timid star.

The eyelids meet. He'll catch a little nap.
The grizzled, crew-cut head drops to his chest.
It shakes above the briefcase on his lap.
Close voices breathe, "Poor sweet, he did his best."

"Poor sweet, poor sweet," the bird-hushed glades repeat,
Through which in quiet pomp his litter goes,
Carried by native girls with naked feet.
A sighing stream concurs in his repose.

Could he but think, he might recall to mind
The righteous mutiny or sudden gale
That beached him here; the dear ones left behind . . .

In the naked bed, in Plato's cave,
Reflected headlights slowly slid the wall,
Carpenters hammered under the shaded window,
Wind troubled the window curtains all night long,
A fleet of trucks strained uphill, grinding,
Their freights covered, as usual.
The ceiling lightened again, the slanting diagram
Slid slowly forth.
Hearing the milkman's clop,
his striving up the stair, the bottle's chink,
I rose from bed, lit a cigarette,
And walked to the window. The stony street
Displayed the stillness in which buildings stand,

Never mind the slippery wet street--
The tire with a thousand claws will hold you.
Stop as quickly as you will--
Those thousand claws grip the road like a vise.
Turn as sharply as you will--
Those thousand claws take a steel-prong grip on the road to prevent a side skid.
You're safe--safer than anything else will make you--
Safe as you would be on a perfectly dry street.
And those thousand claws are mileage insurance too.

--From the Lancaster Tire and Rubber Company's advertisement in the Saturday Evening Post

"Beep-beep.
BANKERS TRUST AUTOMOBILE LOAN
You'll find a banker at Bankers Trust"
Advertisement in N.Y. Times

When comes my second childhood,
As to all men it must,
I want to be a banker
Like the banker at Bankers Trust.
I wouldn't ask to be president
Or even assistant veep,
I'd only ask for a kiddie car
And permission to go beep-beep.

The banker at Chase Manhattan,
He bids a polite Good-day;
The banker at Immigrant Savings
Cries Scusi! and Olé!
But I'd be a sleek Ferrari
Or perhaps a joggly jeep,

635

I think the longest Hour of all
Is when the Cars have come—
And we are waiting for the Coach—
It seems as though the Time

Indignant—that the Joy was come—
Did block the Gilded Hands—
And would not let the Seconds by—
But slowest instant—ends—

The Pendulum begins to count—
Like little Scholars—loud—
The steps grow thicker—in the Hall—
The Heart begins to crowd—

Then I—my timid service done—
Tho' service 'twas, of Love—
Take up my little Violin—
And further North—remove.

People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,
Missoula, on the outskirts of Reno,