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Lost Mr. Blake

Mr. Blake was a regular out-and-out hardened sinner,
Who was quite out of the pale of Christianity, so to speak,
He was in the habit of smoking a long pipe and drinking a glass of
grog on a Sunday after dinner,
And seldom thought of going to church more than twice or - if Good
Friday or Christmas Day happened to come in it - three times a
week.

He was quite indifferent as to the particular kinds of dresses
That the clergyman wore at church where he used to go to pray,
And whatever he did in the way of relieving a chap's distresses,

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Lost

You left me with the autumn time;
When the winter stripped the forest bare,
Then dressed it in his spotless rime;
When frosts were lurking in the air
You left me here and went away.
The winds were cold; you could not stay.

You sought a warmer clime, until
The south wind, artful maid, should break
The winter's trumpets, and should fill
The air with songs of birds; and wake
The sleeping blossoms on the plain
And make the brooks to flow again.

I thought that the winter desolate,
And all times felt a sense of loss.

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Look at The Clock' Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,

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Long Distance II

Though my mother was already two years dead
Dad kept her slippers warming by the gas,
put hot water bottles her side of the bed
and still went to renew her transport pass.

You couldn't just drop in. You had to phone.
He'd put you off an hour to give him time
to clear away her things and look alone
as though his still raw love were such a crime.

He couldn't risk my blight of disbelief
though sure that very soon he'd hear her key
scrape in the rusted lock and end his grief.
He knew she'd just popped out to get the tea.

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London Bridge

“Do I hear them? Yes, I hear the children singing—and what of it?
Have you come with eyes afire to find me now and ask me that?
If I were not their father and if you were not their mother,
We might believe they made a noise…. What are you—driving at!”

“Well, be glad that you can hear them, and be glad they are so near us,—
For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling,
And though I pray for them to cease, I know they never will;

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Lois House

Air -- "Saphrona's Farewell"

I
Come all ye young people of every degree,
Come give your attention one moment to me;
It's of a young couple I now will relate,
And of their misfortunes and of their sad fate.
II
One was a young damsel, both blooming and fair,
The other a young man, his beauty was rare;
He loved this lady as he loved his own life --
If God had not called her he would made her his wife.
III
He courted her a long time in triumph and glee,
But little did he think that she would soon leave,

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Listen

Whoever you are as you read this,
Whatever your trouble or grief,
I want you to know and to heed this:
The day draweth near with relief.

No sorrow, no woe is unending,
Though heaven seems voiceless and dumb;
So sure as your cry is ascending,
So surely an answer will come.

Whatever temptation is near you,
Whose eyes on this simple verse fall;
Remember good angels will hear you
And help you to stand, if you call.

Though stunned with despair I beseech you,
Whatever your losses, your need,

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Lines in Defence of the Stage

Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,

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Lines and Squares

Whenever I walk in a London street,
I'm ever so careful to watch my feet;
And I keep in the squares,
And the masses of bears,
Who wait at the corners all ready to eat
The sillies who tread on the lines of the street
Go back to their lairs,
And I say to them, "Bears,
Just look how I'm walking in all the squares!"

And the little bears growl to each other, "He's mine,
As soon as he's silly and steps on a line."
And some of the bigger bears try to pretend
That they came round the corner to look for a friend;

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Limitless

There is nothing, I hold, in the way of work
That a human being may not achieve
If he does not falter, or shrink, or shirk,
And more than all, if he will believe.

Believe in himself and the power behind
That stands like an aid on a dual ground,
With hope for the spirit and oil for the wound,
Ready to strengthen the arm or mind.

When the motive is right and the will is strong
There are no limits to human power;
For that great force back of us moves along
And takes us with it, in trial's hour.

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