An age in her embraces passed
Would seem a winter's day;
When life and light, with envious haste,
Are torn and snatched away.
II
But, oh! how slowly minutes roll.
When absent from her eyes
That feed my love, which is my soul,
It languishes and dies.
II
For then no more a soul but shade
It mournfully does move
And haunts my breast, by absence made
The living tomb of love.
IV
You wiser men despise me not,
Whose love-sick fancy raves
On shades of souls and Heaven knows what;
Short ages live in graves.
V

An age in her embraces passed
Would seem a winter's day;
When life and light, with envious haste,
Are torn and snatched away.

But, oh! how slowly minutes roll.
When absent from her eyes
That feed my love, which is my soul,
It languishes and dies.

For then no more a soul but shade
It mournfully does move
And haunts my breast, by absence made
The living tomb of love.

You wiser men despise me not,
Whose love-sick fancy raves
On shades of souls and Heaven knows what;
Short ages live in graves.

I am the mist, the impalpable mist,
Back of the thing you seek.
My arms are long,
Long as the reach of time and space.

Some toil and toil, believing,
Looking now and again on my face,
Catching a vital, olden glory.

But no one passes me,
I tangle and snare them all.
I am the cause of the Sphinx,
The voiceless, baffled, patient Sphinx.

I was at the first of things,
I will be at the last.
I am the primal mist
And no man passes me;
My long impalpable arms
Bar them all.

Seeing is believing.
Whatever was thought or said,

these persistent, inexorable deaths
make faith as such absent,

our humanness a question,
a disgust for what we are.

Whatever the hope,
here it is lost.

Because we coveted our difference,
here is the cost.

I believe there are few
But have heard of a Jew,
Named Shylock, of Venice, as arrant a 'screw'
In money transactions as ever you knew;
An exorbitant miser, who never yet lent
A ducat at less than three hundred per cent.,
Insomuch that the veriest spendthrift in Venice,
Who'd take no more care of his pounds than his pennies,
When press'd for a loan, at the very first sight
Of his terms, would back out, and take refuge in Flight.
It is not my purpose to pause and inquire
If he might not, in managing thus to retire,

Shall I, wasting in despair,
Die because a woman's fair?
Or my cheeks make pale with care
'Cause another's rosy are?
Be she fairer than the day
Or the flowery meads in May --
If she be not so to me,
What care I how fair she be?

Shall my foolish heart be pined
'Cause I see a woman kind;
Or a well dispos-ed nature
Join-ed with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?

Shall a woman's virtues move

FLORENTINE we now design to show;--
A greater blockhead ne'er appeared below;
It seems a prudent woman he had wed,
With beauty that might grace a monarch's bed;
Young, brisk, good-humoured, with engaging mien;
None in the town, or round, the like was seen:
Her praises every voice inclined to sing,
And judged her worthy of a mighty king;
At least a better husband she deserved:
An arrant fool he looked, and quite unnerved.
This Nicia Calfucci (for such his name)
Was fully bent to have a father's fame,

It was the man from Ironbark who struck the Sydney town,
He wandered over street and park, he wandered up and down.
He loitered here he loitered there, till he was like to drop,
Until at last in sheer despair he sought a barber's shop.
'Ere! shave my beard and whiskers off, I'll be a man of mark,
I'll go and do the Sydney toff up home in Ironbark.'
The barber man was small and flash, as barbers mostly are,
He wore a strike-your-fancy sash he smoked a huge cigar;
He was a humorist of note and keen at repartee,

SHALL I, wasting in despair,
Die because a woman 's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flow'ry meads in May,
   If she think not well of me,
   What care I how fair she be?

Shall my silly heart be pined
'Cause I see a woman kind?
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
   If she be not so to me,

I.

All's over, then: does truth sound bitter
As one at first believes?
Hark, 'tis the sparrows' good-night twitter
About your cottage eaves!

II.

And the leaf-buds on the vine are woolly,
I noticed that, to-day;
One day more bursts them open fully
---You know the red turns grey.

III.

To-morrow we meet the same then, dearest?
May I take your hand in mine?
Mere friends are we,---well, friends the merest
Keep much that I resign:

IV.