"Oh, dear, with the just unfolded tender leaflets of Mango trees as his incisive arrows, and with shining strings of honeybees as his bowstring, the assailant named Vasanta came very nigh, to afflict the hearts of those that are fully engaged in affairs of lovemaking...

"On the departure of rainy season bechanced is autumn with a heart-pleasingly bloomed lotus as her face, betokening the heart-pleasing face of a new bride, and the autumnal fields of white grass with whitish flowers as her apparel, which betoken the whitish bridal apparel of a new bride, and the amorously clucking clucks of swans that have just returned from Lake Maanasa as rains have gone, are the jingling anklets of autumn, which betoken the delightful jingles of anklets of new bride, and now the rice is ready to ripe and thus the tenuous stalks of rice, which have their necks a little be

"Oh, dear, now the kingly monsoon is onset with its clouds containing raindrops, as its ruttish elephants in its convoy, and with skyey flashes of lighting as its pennants and buntings, and with the thunders of thunderbolts as its percussive drumbeats, thus this rainy season has come to pass, radiately shining forth like a king, for the delight of voluptuous people...

The fox pushes softly, blindly through me at night,
between the liver and the stomach. Comes to the heart
and hesitates. Considers and then goes around it.
Trying to escape the mildness of our violent world.
Goes deeper, searching for what remains of Pittsburgh
in me. The rusting mills sprawled gigantically
along three rivers. The authority of them.
The gritty alleys where we played every evening were
stained pink by the inferno always surging in the sky,
as though Christ and the Father were still fashioning the Earth.

Oh how I love the laughing sea,
Sun lances splintering;
Or with a virile harmony
In salty caves to sing;
Or mumbling pebbles on the shore,
Or roused to monster might:
By day I love the sea, but more
I love it in the night.

High over ocean hangs my home
And when the moon is clear
I stare and stare till fairy foam
Is music in my ear;
Till glamour dances to a tune
No mortal man could make;
And there bewitched beneath the moon
To beauty I awake.

Then though I seek my bed again

For Lucy, who called them "ghost houses."


Someone was always leaving
and never coming back.
The wooden houses wait like old wives
along this road; they are everywhere,
abandoned, leaning, turning gray.

Someone always traded
the lonely beauty
of hemlock and stony lakeshore
for survival, packed up his life
and drove off to the city.
In the yards the apple trees
keep hanging on, but the fruit
grows smaller year by year.

When we come this way again
the trees will have gone wild,

FLAVIA.

The wretched FLAVIA on her couch reclin'd,
Thus breath'd the anguish of a wounded mind ;
A glass revers'd in her right hand she bore,
For now she shun'd the face she sought before.

'How am I chang'd ! alas ! how am I grown
'A frightful spectre, to myself unknown !
'Where's my Complexion ? where the radiant Bloom,
'That promis'd happiness for Years to come ?
'Then with what pleasure I this face survey'd !
'To look once more, my visits oft delay'd !
'Charm'd with the view, a fresher red would rise,

LIKE to Diana in her summer weed,
   Girt with a crimson robe of brightest dye,
   Goes fair Samela.
Whiter than be the flocks that straggling feed
   When wash'd by Arethusa faint they lie,
   Is fair Samela.
As fair Aurora in her morning grey,
   Deck'd with the ruddy glister of her love
   Is fair Samela;
Like lovely Thetis on a calmed day
   Whenas her brightness Neptune's fancy move,
   Shines fair Samela.

MY wanton lines doe treate of amorous loue,
Such as would bow the hearts of gods aboue:
Then Venus, thou great Citherean Queene,
That hourely tript on the Idalian greene,
Thou laughing Erycina, daygne to see
The verses wholly consecrate to thee;
Temper them so within thy Paphian shrine,
That euery Louers eye may melt a line;
Commaund the god of Loue that little King,
To giue each verse a sleight touch with his wing,
That as I write, one line may draw the tother,
And euery word skip nimbly o're another.

The spacious open vale, the vale of doom,
Is full of autumn sunset; blue and strong
The semicirque of water sweeps among
Her lofty acres, each a martyr's tomb;
And slowly, slowly, melt into the gloom
Two little idling clouds, that look for long
Like roseleaf bodies of two babes in song
Correggio left to flush a convent room.

Dear hill deflowered in the frantic war!
In my day, rather, have I seen thee blest
With pastoral roofs to break the darker crest
Of apple-woods by many-islèd Loire,