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The Tower of the Dream

Part I
HOW wonderful are dreams! If they but be
As some have said, the thin disjoining shades
Of thoughts or feelings, long foregone or late,
All interweaving, set in ghostly act
And strange procession, fair, grotesque, or grim,
By mimic fancy; wonderful no less
Are they though this be true and wondrous more
Is she, who in the dark, and stript of sense,
Can wield such sovereignty—the Queen of Art!
For what a cunning painter is she then,
Who hurriedly embodying, from the waste
Of things memorial littering life’s dim floor,

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The Time I've Lost

The time I've lost in wooing,
In watching and pursuing
The light that lies
In woman's eyes,
Has been my heart's undoing.
Tho' Wisdom oft has sought me,
I scorn'd the lore she brought me,
My only books
Were women's looks,
And folly's all they taught me.

Her smile when Beauty granted,
I hung with gaze enchanted,
Like him the Sprite
Whom maids by night
Oft meet in glen that's haunted.
Like him, too, Beauty won me;
But when the spell was on me,
If once their ray
Was turn'd away,

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The Three Tommies

That Barret, the painter of pictures, what feeling for color he had!
And Fanning, the maker of music, such melodies mirthful and mad!
And Harley, the writer of stories, so whimsical, tender and glad!

To hark to their talk in the trenches, high heart unfolding to heart,
Of the day when the war would be over, and each would be true to his part,
Upbuilding a Palace of Beauty to the wonder and glory of Art . . .

Yon's Barret, the painter of pictures, yon carcass that rots on the wire;
His hand with its sensitive cunning is crisped to a cinder with fire;

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The Task Book I, The Sofa excerpts

...


Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside

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The Tale of the Tiger-Tree

A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old.

The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.



I

Peace-of-the-Hea rt, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me
And now once more reborn with me: —

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The Survivor

I am twenty-four
led to slaughter
I survived.

The following are empty synonyms:
man and beast
love and hate
friend and foe
darkness and light.

The way of killing men and beasts is the same
I've seen it:
truckfuls of chopped-up men
who will not be saved.

Ideas are mere words:
virtue and crime
truth and lies
beauty and ugliness
courage and cowardice.

Virtue and crime weigh the same
I've seen it:
in a man who was both
criminal and virtuous.

I seek a teacher and a master

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The Surrender of Spain

I

Land of unconquered Pelayo! land of the Cid Campeador!
Sea-girdled mother of men! Spain, name of glory and power;
Cradle of world-grasping Emperors, grave of the reckless invader,
How art thou fallen, my Spain! how art thou sunk at this hour!

II

Once thy magnanimous sons trod, victors, the portals of Asia,
Once the Pacific waves rushed, joyful thy banners to see;
For it was Trajan that carried the battle-flushed eagles to Dacia,
Cortés that planted thy flag fast by the uttermost sea.

III

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The Sultan's Palace

My spirit only lived to look on Beauty's face,
As only when they clasp the arms seem served aright;
As in their flesh inheres the impulse to embrace,
To gaze on Loveliness was my soul's appetite.

I have roamed far in search; white road and plunging bow
Were keys in the blue doors where my desire was set;
Obedient to their lure, my lips and laughing brow
The hill-showers and the spray of many seas have wet.

Hot are enamored hands, the fragrant zone unbound,
To leave no dear delight unfelt, unfondled o'er,

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The Strange Lady

The summer morn is bright and fresh, the birds are darting by,
As if they loved to breast the breeze that sweeps the cool dear sky;
Young Albert, in the forest's edge, has heard a rustling sound
An arrow slightly strikes his hand and falls upon the ground.

A lovely woman from the wood comes suddenly in sight;
Her merry eye is full and black, her cheek is brown and bright;
She wears a tunic of the blue, her belt with beads is strung,
And yet she speaks in gentle tones, and in the English tongue.

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The Steadfast Shepherd

Hence away, thou siren, leave me,
Pish! unclasp those wanton arms,
Sugared words can ne'er deceive me
Though thou prove a thousand charms.
Fie, fie, forbear, no common snare
Can ever my affection chain.
They painted baits and poor deceits
Are all bestowed on me in vain.

I'm no slave to such as you be,
Neither shall that snowy breast,
Rolling eye and lip of ruby,
Ever rob me of my rest.
Go, go, display thy beauty's ray
To some more soon enamoured swain,
Those common wiles of sighs and smiles
Are all bestowed on me in vain.

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