This poem is for my wife.
I have made it plainly and honestly:
The mark is on it
Like the burl on the knife.

I have not made it for praise.
She has no more need for praise
Than summer has
Or the bright days.

In all that becomes a woman
Her words and her ways are beautiful:
Love's lovely duty,
the well-swept room.

Wherever she is there is sun
And time and a sweet air:
Peace is there,
Work done.

There are always curtains and flowers
And candles and baked bread
And a cloth spread

if there is a river
more beautiful than this
bright as the blood
red edge of the moon if
there is a river
more faithful than this
returning each month
to the same delta if there

is a river
braver than this
coming and coming in a surge
of passion, of pain if there is

a river
more ancient than this
daughter of eve
mother of cain and of abel if there is in

the universe such a river if
there is some where water
more powerful than this wild
water

pray that it flows also

This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.

Even while you sit there, unmovable,
You have begun to vanish. And it does not matter.
The poem will go on without you.
It has the spurious glamor of certain voids.

It is not sad, really, only empty.
Once perhaps it was sad, no one knows why.
It prefers to remember nothing.
Nostalgias were peeled from it long ago.

Your type of beauty has no place here.

Then a hermit, who visited the city once a year, came forth and said, "Speak to us of Pleasure."

And he answered, saying:

Pleasure is a freedom song,

But it is not freedom.

It is the blossoming of your desires,

But it is not their fruit.

It is a depth calling unto a height,

But it is not the deep nor the high.

It is the caged taking wing,

But it is not space encompassed.

Ay, in very truth, pleasure is a freedom-song.

I knew it the first of the summer,
I knew it the same at the end,
That you and your love were plighted,
But couldn’t you be my friend?
Couldn’t we sit in the twilight,
Couldn’t we walk on the shore
With only a pleasant friendship
To bind us, and nothing more?

There was not a word of folly
Spoken between us two,
Though we lingered oft in the garden
Till the roses were wet with dew.
We touched on a thousand subjects –
The moon and the worlds above, -
And our talk was tinctured with science,

I'd watched the sorrow of the evening sky,
And smelt the sea, and earth, and the warm clover,
And heard the waves, and the seagull's mocking cry.

And in them all was only the old cry,
That song they always sing -- "The best is over!
You may remember now, and think, and sigh,
O silly lover!"
And I was tired and sick that all was over,
And because I,
For all my thinking, never could recover
One moment of the good hours that were over.
And I was sorry and sick, and wished to die.

Then from the sad west turning wearily,

He finished the painting yesterday noon. Now
he studies it in detail. He has painted him in a
gray unbuttoned coat, a deep gray; without
any vest or any tie. With a rose-colored shirt;
open at the collar, so something might be seen
also of the beauty of his chest, of his neck.
The right temple is almost entirely
covered by his hair, his beautiful hair
(parted in the manner he perfers it this year).
There is the completely voluptuous tone
he wanted to put into it when he was doing the eyes,
when he was doing the lips.... His mouth, the lips

I

His eyes found nothing beautiful and bright,
Nor wealth nor honour, glory nor delight,
Which he could grasp and keep with might and right.

Flowers bloomed for maidens, swords outflashed for boys,
The world's big children had their various toys;
He could not feel their sorrows and their joys.

Hills held a secret they would not unfold,
In careless scorn of him the ocean rolled,
The stars-were alien splendours high and cold.

He felt himself a king bereft of crown,
Defrauded from his birthright of renown,

From a fearful height, a wandering light,
but does a star glitter like this, crying?
Transparent star, wandering light
your brother, Petropolis, is dying.

From a fearful height, earthly dreams are alight,
and a green star is crying.
Oh star, if you are the brother of water and light,
your brother, Petropolis, is dying.

A monstrous ship, from a fearful height,
is rushing on, spreading its wings, flying.
Green star, in beautiful poverty,
your brother, Petropolis, is dying.

I


Diana was never more pleasing to her lover,
when, by a stroke of fate, he saw her naked,
shown in the deep pool of icy water,
than I was by the mountain shepherdess,
standing there to wash her delightful veil,
that keeps blonde, lovely hair from the wind’s stress,
so that, now heaven’s fires overspill,
she made me tremble with an amorous chill.



II


Now that the wind and earth and sky are silent,
and the wild birds and creatures curbed by sleep,
without a wave the sea rests in the deep,